Wednesday, June 28, 2017

The Dawn of Prophesy: inspiration & spark

This post is Part 4 of a series to augment the Author's Manifesto available for free download. Start with Part 1 here.

This and other inspirations of mine are gathered in the Spark Directory for you to explore.

Find more prophetic poetry in my Portents Directory.



In Part 1 of this series, I wrote my very first poem. After learning how to make riddles in rhyme, I started creating prophesies for my first novel. With five prophesies for the book and its four sections complete, I set out to refine the other prophesies referenced tangentially in the story.

These snippets quoted in the book's prose became full-fledged poems in their own right, and I began to crave a way to keep the prophesies organized. I pondered how the scholars within the tale would categorize prophesies, and realized they'd use specific dates. I invented a calendar for them to use, and used it myself to organize the prophetic riddles, both by the date it was first foretold, and the date that it came to fruition.


Check out this Author's Manifesto for more of my inspirations!


Armed with this in-world calendar system, I next set out to include dates before each of the story's scenes. These date-lines looked out of place on their own, so I decided to add an intriguing quote at the start of each scene to accompany the date. Using couplets of prophesy was an obvious choice, but it occurred to me that I couldn't pair dates with quotes of prophesies said years back. My solution was both work-intensive and immensely satisfying: write a fresh prophesy for the date of each scene.

Some strictures helped limit this insurmountable notion into a more manageable accomplishment. One scene depicted someone in the act of prophesying, so I could use that prophesy for all scenes on that date. The act of prophesy within the book was cyclical, and I defined the cycle at twenty days. Now I had a maximum of twenty new riddles to write, and could use the same one for all dates spaced twenty days apart. But this left me with one last glaring problem. The prophesies I'd be quoting at the start of each scene predicted future events, not related to the upcoming scene at all!

I resolved this problem from two directions. From existing prophesies that shared dates with scenes from my Tales of the Known World saga, I selected couplets that seemed to mirror or foreshadow each scene's content most closely. For unwritten prophesies, I examined the scenes awaiting couplets and scribbled out a few test rhymes that correlated with those scenes.

The best rhymes became anchors around which I based the actual events foretold in each prophesy, which would not come to pass until later in the series. In this way, I created fifteen new riddles to quote for scenes, in addition to the four section prophesies and four more mentioned in prose. In total, the Portents of Book 1 include 23 poems, and another 24 prophesies accompany Book 2.


That's it for this series! Check out my latest inspirations for more.

Download the Author's Manifesto here, or start your adventure below.






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Friday, June 23, 2017

Darklands by M.L. Spencer: a book review ★★★★★

This post is Part 7 of a series to augment the Book Reviews by D.N.Frost available for free download. Start with Part 1 here.

This and other reviewed content is gathered in my Book Reviews Directory for you to explore.

Find more guest-inspired content in my Guest Directory.

Disclaimer: I received a free copy of this book in exchange for an honest review.



★★★★★


Five stars! This great story delivered something I've never seen before.

★★★★★

A thrilling and momentous foray behind the veils of good and evil.

M.L. Spencer turns evil inside-out to explore the long-term consequences of demonizing another people. The setup is quick and definitive, delivering the stark conflict in visceral terms.

Spencer truly loves her characters, and it shows in how vivid their pain is. They suffer grandly in her loving charge. Darklands is a compelling read, an enthralling premise, and a heart-rending study of the complexity of the human soul.

Deeply fascinating!

- D.N.Frost, author of Tales of the Known World ★★★★★

Want to read this novel?
Buy your copy now.


★★★★★


Darklands by M.L. Spencer is Book Two of The Rhenwars Saga, an epic fantasy spanning a millennium, two realms, and all the ethics of the human condition.

This book is Spencer's third novel, published after the prequel that I reviewed in Part 1 of this guest series and Book One, which I reviewed here. When this novel was first published, it was billed as Book Three, but has since reverted to Book Two.



Check out these Book Reviews by D.N.Frost for more story ratings!



Darklands is a thrilling and momentous foray behind the veils of good and evil. M.L. Spencer turns evil inside-out to explore the long-term costs of the desperation and sacrifice in previous books, as well as the consequences of demonizing another people.

Deeply fascinating, Spencer's thoughtful and in-depth world-building animates an impossible realm. Clinging to life, a resilient population within a cursed land toils for each square inch of arable light in a black world. They live in darkness, and when their light goes out they will starve.

The setup is quick and definitive; it wastes no time delivering the stark conflict in visceral terms. Spencer truly loves her characters, and it shows in how vivid their pain is. They suffer grandly in her loving charge.

I enjoyed how some higher technologies like steam power offset the magical deficits of the cursed people, and Spencer's ironic wit shines in the God of Chaos, who struck a covenant to stabilize the world long ago.

Darklands is a compelling read, an enthralling premise, and a heart-rending study of the depth and complexity of the human soul.


Please buy your copy of
Darklands by M.L. Spencer here.

Have you read this novel? Help the author and write your own review.


That's it for this post! Up Next: My detailed report on Spencer's third novel...

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Thursday, June 22, 2017

Darklands by M.L. Spencer: a style analysis

This post is Part 3 of a series to augment the Tips for Writing Fiction available for free download. Start with Part 1 here.

This and other writing workshops are gathered in my Workshops Directory for you to explore.

This post is also Part 8 of a series about M.L. Spencer. Start with Part 1 here.

Disclaimer: I received a free copy of this book in exchange for an honest review.



I first connceted with M.L. Spencer in Part 1 of this guest series, and in Part 7 of this guest series, I provide the actual book review! The long-form style analysis below goes into much greater detail, diving into many aspects of storycraft, worldbuilding, and wordsmith techniques. I wrote my first style analysis for M.L. Spencer in Part 1 of this workshop series.

Darklands by M.L. Spencer is Book Two of The Rhenwars Saga, an epic fantasy spanning a millennium, two realms, and all the ethics of the human condition. This book is Spencer's third novel, published after the prequel that I reviewed here and Book One, which I reviewed here. When this novel was first published, it was billed as Book Three, but has since reverted to Book Two.

★★★★★


Five stars! This great story delivered something I've never seen before.

★★★★★

A mere two years after the grand conclusion of Spencer's previous book, the ghastly portal to the Netherworld is opened again.

But this time, the portal is opened not by a depraved lunatic Hell-bent on power and glory, but rather by a fierce and feral young woman from a cursed land.

Sharply called to atone for his wrongs in Book One, the complex hero Darien Lauchlin becomes a noble anti-hero in Darklands, sworn to help the young woman save her starving people from destruction.

In the previous book of the saga, Darien defends his homeland from the Enemy, invaders from the cursed Black Lands beyond the mountains. But in Darklands, Spencer turns evil inside-out and explores the consequences of demonizing another people.

Probing both sides of a previously black-and-white conflict between good and evil, she crafts her story deftly, humanizing the Enemy and compelling the reader to resent the "good guys" for their unbending self-righteousness.



Check these Tips for Writing Fiction to see more workshops!



Unlike the standalone prequel and debut novel of The Rhenwars Saga, Darklands reads like a true sequel. This book picks up the story roughly where the prior book left off, and I love how Spencer used this narrative to explore the long-term ramifications of the desperate sacrifices made by characters in the preceding two books.

While Spencer infused a standalone quality into Darklands, readers will best appreciate the artful nuances of her complex plot if they read the saga in order.

Spencer also keeps raising the stakes. In the prequel, a small class of people sought to save themselves. In Book One, a nation defended against an invasion from cursed lands. Now, Darklands reveals a resilient population within the cursed lands, toiling in utter darkness and sustaining themselves through magic alone.

By showcasing this foreign and tenacious people who will starve to death when their magic dies, Spencer adds a beautiful and heartwarming element to a race once known only as the Enemy.

The world of Darklands is deeply fascinating, a land vitrified by ancient fire and cloaked in churning darkness. Clinging to life, the people of the Black Lands tend precious crops nurtured by magic light.

A short blunt food chain supports short blunt lives, and I love how they developed some higher technologies like steam power to offset the magical deficits necessitated by their agriculture.



Check these Tips for Writing Fiction to see more workshops!



To my surprise, the people of Darklands enjoyed a few small luxuries like herbs, spices, dyes, and incense that seemed strange considering the value of each square inch of arable light in a black world.

I was also surprised at the dark skin tone of their people, considering they bred in darkness for a thousand years, as well as at the vivacious bulk of some of the land's warriors, perhaps glutted on protein compared to the starving population.

These details felt jarring to me, like an unfortunate oversight in expressing the myriad ways that a thousand years of darkness would impact culture, cuisine, and physique. Due to these idiosyncrasies in the world-building, I originally gave Darklands four stars instead of five, a decision that has haunted me since.

By my own criteria, the novel deserved five stars since it delivered a completely unique scenario - a people in darkness, whose crops depend on the sun-like light woven by precious magics. I have since adjusted my rating, since my personal quibbles over execution should not undermine what is a truly creative premise.

Spencer's thoughtful and in-depth world-building brought to life an impossible realm, as well as a second land vivid with intrigue and the interplay of various deities. I loved the dynamics of the temple council, and Spencer's ironic wit shines in the God of Chaos, who struck a covenant to stabilize the world long ago.

Reaching the end of Darklands, I felt a wash of disappointment when I realized the story needed at least one more book to resolve. Though I knew there was a fourth book, I'd hoped more of the story would fit into Darklands, simply for my own enjoyment.

Overall, Darklands by M.L. Spencer is a thrilling read and a momentous foray behind the veils of good and evil. I very much look forward to the next book in The Rhenwars Saga.


Please buy your copy of
Darklands by M.L. Spencer here.

Have you read this novel? Help the author and write your own review.


That's it for this series! Check out the latest writing workshops for more.

Want a review of your own book? Check out my Services for Authors.
You deserve a mindful reader and an honest book review.

Download Tips for Writing Fiction here, or start your adventure below.






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Wednesday, June 21, 2017

Compelled to Teach: inspiration & spark

This post is Part 3 of a series to augment the Author's Manifesto available for free download. Start with Part 1 here.

This and other inspirations of mine are gathered in the Spark Directory for you to explore.

Find more tarot-related content in my Tarot Gallery.



In Part 1 of this series, I began my spiritual journey by questioning the world around me. After my awakening, I noticed my perspective on other people was shifting too. If I was an infinite depth of clarity and loving existence, then so was every other person on the planet. All the pain and suffering we endure (and cause) as humans is because we've grown out of our inborn sense of self-awareness.

On the whole, humanity teaches its children to think certain thoughts and assume certain roles. With enough training, these children release their intuitive ways of being and take on the identities that are expected of them.

As is common when someone has a liberating spiritual experience, I felt compelled to share my discovery of truth with others, to help erode the earthly traditions that keep us separate from the truth of who we are.


Check out this Author's Manifesto for more of my inspirations!


Becoming a spiritual teacher daunted me. My tarot readings had always been profoundly beneficial to my clients, but delivering a one-on-one tarot reading was quite different than publicly compelling students to arrive. Most people seemed unwilling to expose their carefully-ministered truths to new revelations, and they expected the revealing sources to be stoic saints with decades of credentials.

With my youth and enthusiasm, I found myself a rather uncompelling spiritual guide. Though I became licensed to deliver a spiritual awakening course called Avatar, I did not pursue students. I felt like I needed to be something more than what I was before people would take my message seriously.

As my affair with writing became ever-more enveloping, I struck upon the idea to write a book of truth. Within it, I'd divulge my knowledge of scientific discoveries and express the ultimate unity inherent in the fabric of space-time itself. I'd also interpret sacred texts across religions, and amass scientific evidence to confirm the Law of Attraction. After giving curious minds something to chew on, I'd delve into the experience of this inherent unity, which I recognize as both the self and the truth.

I felt, and still feel, profoundly at peace with this idea. Yet it rests enshrined atop my stack of unfinished books and notes on stories to be written, an opus at once insurmountable and enthralling. As I worked on my Tales of the Known World saga, I wrote pieces of the truth-book on the side. I'd share them in Facebook groups, and the responses I got were encouraging. But the stories in me still yammered for recognition. I wanted to keep working on my fantasy novels, and my writing experience told me to focus on one book at a time.


That's it for this post! Up Next: Building spiritual truths into my fantasy world...

Download the Author's Manifesto here, or start your adventure below.






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Wednesday, June 14, 2017

The Advent of Riddles: inspiration & spark

This post is Part 3 of a series to augment the Author's Manifesto available for free download. Start with Part 1 here.

This and other inspirations of mine are gathered in the Spark Directory for you to explore.

Find more prophetic poetry in my Portents Directory.



In Part 1 of this series, I created my first poem. Throughout my high-school days, I used poetry as a means of emotional venting, railing against the overblown tragedies of teenage angst and distilling meaning from the carnage of the social scene. I read very little poetry outside of school, but still played with configurations of language to create rhyming structures within my own works.

With the onset of my trendy counter-culture obsession with Alice in Wonderland, I explored the complete works of Lewis Carroll and found inspiration in the riddling Cheshire Cat. Something about the fictitious feline helped me make the connection between the rhythmic undercurrent of poetry slam with the systems of poetic meter I'd learned in school. Soon, I was writing metered riddles for friends, divulging early clues to Christmas gifts encoded in rhyming blocks of ambiguity.


Check out this Author's Manifesto for more of my inspirations!


The foundation had been laid. From there, it was a small step to including riddles in my works of fiction. My college days were filled with collaborative, recreational writing, and my co-conspirators embraced my concocted puzzles with delight. They loved the way my riddles enhanced the stories we wrote together, and I reveled in the mastery of my contributions.

As college ended and I shifted from collaborative to solo writing, I used my poetic inclinations to re-craft the body of a rhyming prophesy within the manuscript of my first book. Two principles drove me - the prophesy had to be obscure enough to not divulge the full story to the uninitiated, but cohesive enough to make sense after the story had been read. I wanted the prophesy to be intriguing but not elucidating, only mirroring the plot events it predicts in retrospect.

Delighted with my results, I decided to write more prophesies for my Tales of the Known World saga. I started with a prophesy to open each of the book's four parts. In my mind, the prophesies had been foretold some years before the book, and they predicted the events of each section individually. I also wanted to incorporate both the book and section title in each of the four prophesies.

More than ever, I needed these riddles to both veil and convey the story to unfold, in a way that would intrigue readers without revealing too much. To my great satisfaction, I succeeded, through use of symbolic code-names, extensive metaphor, and unconventional syntactical structures.


That's it for this post! Up Next: A prophesy for every scene...

Download the Author's Manifesto here, or start your adventure below.






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Wednesday, June 7, 2017

What is Cartography?

This post is part of a series to augment the Codex of the Known World available for free download.

This and other mapping resources are gathered in my Cartography Directory for you to explore.

Find more website tag definitions in my Index Directory.



Cartography is the science and process of creating maps. The two-dimensional representation of a three-dimensional world is a science as well as an art. There are cartography schools to train professional map-makers, and there's a lot of survey equipment and math involved in drawing a real-world map.

I must confess, I know little of the science of surveying in the real world. While I apply topographical principles to my own maps, fictional map-making is an entirely different beast than the real-life surveying and mapping of geography. So while I use the word cartography to refer to my own map-making, please keep in mind that my own cartography involves significantly less science and substantially more creativity.


Check out the Codex of the Known World for more resources!


Many of the techniques and concepts for mapping are the same whether the region being mapped is real or invented. Fictional cartography relies on the same basic principles as real cartography, and it still requires a good deal of geography. Without the underpinnings of geological formation, a fictional place can defy logic and ruin a reader's immersion in the setting. In the Cartography of the Known World, you can see how I ensure that there are geological (or magical) explanations for my topography.

However, in fictional cartography, the world-builder has ultimate control over the lay of the land, from coastlines to altitudes to the flow of rivers and sprawl of civilizations. There is no survey equipment to take readings, no need to convert accurate topographical data into an accurate 2-D representation of that data. Fictional cartography is about giving form to a world without form, giving life to a land that has never been. As such, my approach to fictional cartography is hardly comparable to the scientific procedures of real-world cartography.

On this website, I use the cartography tag to denote posts that discuss map-making, specifically the making of fictional maps as an aspect of world-building. These posts include details from mapping my Tales of the Known World saga, as well as workshops and insights regarding the use of fictional cartography in storytelling. I've reserved the cartography tag for posts that aren't specific to a single map and its creation, in contrast to the commissions tag I use for posts about maps I've made for other authors.


That's it for this post! Check out the latest cartography resources for more.

Download the Codex of the Known World here, or start your adventure below.






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Thursday, June 1, 2017

Portent XII of Broken: a riddle in rhyme

Portent XII of Broken: in exiled shadow voice invites www.DNFrost.com/prophesy #TotKW A riddle in rhyme by D.N.Frost @DNFrost13 Part of a series.
In the novel Broken, there are 24 portents fortelling the events of the unfolding saga.

Start with Portent I here.

These and other riddles in rhyme are gathered in the Portents Directory for you to explore.

Enjoy!


Misguided roams the winding way
From lowest vale to coral heights
In exiled shadow voice invites
The prince to join the fray

Dissensions thick arise in droves
To cloud the eyes of prince's wake
As land prepares for battle's quake
And sea its timeless troves

In bonded oath does prince await
Immersed in time's enraptured thrall
By will incited bitter squall
The vacant voice and gate.


Can you decode the future Tales of the Known World?

Share your interpretation!
Comment below with your take on this portent.


This prophesy comes to pass in Part 4 of Broken, and it foretells the long journey a prince must undertake. What do you think the sea's timeless troves are, and what is this prince's bonded oath?



Download the Prophesy Appendix:

The merfolk culture is built on the prophetic Gift. Nearly all men produce a portent every twenty days, and they devote their lives to interpretation. For more about the role and inner workings of prophesy, check out the Prophesy Appendix above.



Alongside every prophesy is an attribution block. This block contains a byline giving the name of the person who said the prophesy, and a dateline giving the day the prophesy was first said. Here is the attribution for this portent:
Jyonge Nlovahs Dynde VII
2:3:1:7/5, III:IX
The portent attributed here has not yet been interpreted. It was said recently, and it will be repeated every twenty days until either it is correctly interpreted, or it comes to pass.


That's it for this post! Up Next: Through timeless mire, innate desire...

For the Prophesy Appendix, enter your email above.






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Wednesday, May 31, 2017

Percolating on Poetry: inspiration & spark

This post is Part 2 of a series to augment the Author's Manifesto available for free download. Start with Part 1 here.

This and other inspirations of mine are gathered in the Spark Directory for you to explore.

Find more prophetic poetry in my Portents Directory.



In Part 1 of this series, I set aside poetry after a 5th grade assignment left me disenchanted. But then I encountered the idea of non-rhyming poetry in 7th grade, when a girl in my drama class shared a few of her poems with me.

Though I'd spent the past year salvaging dreams into half-finished short stories, I'd neither shared my writings with anyone nor attempted a poem since my first brush with critique two years prior. But my brazen 12-year-old classmate had discovered something liberating about poetry that I had yet to fathom - it didn't have to rhyme. She'd not only written poetry exempt from rhyme or meter, but she found it within herself to share those poems with me.


Check out this Author's Manifesto for more of my inspirations!


Infused with her disregard for the normative, I took up non-rhyming poetry myself. We bonded over our mutual creative expression, and formed a poetry club at our middle school. Eventually, eroded by the wanton ravages of pre-teen drama, the club fell apart, but my love for poetry had been resuscitated. With the burgeoning internet at my fingertips, I found new venues to share my poems as I progressed into my teens. I pasted them line-by-line into chatrooms, earning new friends and alienating others. I posted every poem I'd ever written on Poetry.com and eagerly awaited feedback.

Ironically, the poem that got the most attention was my very first poem, a rhyming cacophony of unclear messages. The website published a yearly anthology of selected poetry. Contributing poets went unpaid, but could buy the anthology at a discounted price. Angry they'd overlooked my non-rhyming works of genius to select my debacle in rhyme for the anthology, I signed off on the publication, but didn't buy a copy for myself. In retrospect, I'm a bit surprised my parents didn't order a copy, but the price was somewhat prohibitive and my poem was just one of hundreds. To this day, I'm not even sure what the anthology was called.

Still, the publication encouraged me to continue my poetic expression, and reopened rhyming as an arena for experimentation. With Dickinson and Shakespeare, my English classes imparted the concept of poetic meter, later enhanced by the scansion of ancient Roman poet Catullus in my Latin class.

As I began work on my Tales of the Known World saga, I found the rules of meter trite and rigid, and I discounted its usefulness for my own poems. When a friend introduced me to poetry slam, the live performance of poetry, I fell in love with the spellbinding rhythms behind the spoken words, but I failed to connect this organic pulse to the sterile metrical concepts I'd learned in school. Simultaneously, I was left in awe of true poets and rejected the structural bedrock of their prowess.


That's it for this post! Up Next: The onset of riddles in rhyme...

Download the Author's Manifesto here, or start your adventure below.






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Wednesday, May 24, 2017

How to Make Fantasy Maps in Photoshop: a cartography exclusive

This post is part of a series to augment The Worldbuilder's Handbook available for free download.

This and other world workshops are gathered in my Worldbuilding Directory for you to explore.

Find more map-making content in my Cartography Directory.



Hello, there! Thanks for your interest in my mapping techniques. My name is D.N.Frost, and I'm a fictional cartographer, fantasy author, and world-builder. I began creating digital fantasy maps for my Tales of the Known World saga, and after making over twenty maps for my first book, I started offering map commissions to fellow storytellers.

How exactly do I map a fictional world? Through tutorials on YouTube, hours of experimentation, detailed notes, and a lot of trial and error, I taught myself how to use Photoshop to create professional fantasy maps. To help you make your own publish-ready maps, please enjoy this collection of short mapping insights and step-by-step instructions.


Download How to Make Fantasy Maps in Photoshop:


This is an exclusive guide to creating your own fantasy maps. The how-to provides detailed step-by-step instructions for making maps in Photoshop, and it provides some great information on how to build a realistic world. If you are a world-builder looking to create a map yourself, this exclusive download will guide you through both the concepts and the technical processes of map-making in Photoshop.

This exclusive resource also links to a number of fantasy workshops and longer blog posts, so you can delve deep into your favorite cartography tips. I'm proud to offer you these instructions on creating professional-looking maps you can be proud to share, and I hope you use this resource to enhance your fantasy world.


That's it for this post! Check out the latest worldbuilding workshops for more.

For How to Make Fantasy Maps in Photoshop, enter your email above.






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Wednesday, May 17, 2017

My Great Awakening: inspiration & spark

This post is Part 2 of a series to augment the Author's Manifesto available for free download. Start with Part 1 here.

This and other inspirations of mine are gathered in the Spark Directory for you to explore.

Find more consciousness content in my Cosmic Directory.



In Part 1 of this series, I began my spiritual journey by asking the great questions about life. When I started paying attention to my own thoughts, a profound shift began to occur within me. If I was analyzing my own thoughts, then where was I? What was the "I" that was analyzing my thoughts?

In spiritual terminology, the awakening is when a person first recognizes that there's a difference between their stream of thoughts and the awareness that perceives those thoughts. If your awareness perceives something, that thing logically can't be your awareness. This core recognition forces the awareness away from identification with the mind, body, and physical world, freeing the self to be more real than ever before.


Check out this Author's Manifesto for more of my inspirations!


Though scientific questioning had brought me to this point, I began exploring different religious tenets to clarify my search for self-recognition. I found every religion laughably false when taken in entirety, but each faith seemed to reduce down to the same basic truths. Virtues like forgiveness, love, compassion, and kindness seemed universal.

I explored Hinduism, Wicca, and the mysticism of tarot cards, but what really caught me was Zen Buddhism. A close friend gave me a book called Hardcore Zen: Punk Rock, Monster Movies, and the Truth About Reality, by Brad Warner. This punk rocker became a Zen master after he moved to Japan to make monster movies. His sardonic voice fit right in with my inner rage against the machine and fanatic love of all things Japanese.

Through his book and others, I came to recognize myself as the awareness that perceives all other things. I even noticed that sometimes I would notice that I had noticed something - which meant that I am the awareness that is aware of its own focus and attention. From this realization, my consciousness expanded, and I began to experience life in a new way. I sought to lead others to similar shifts in their own perspectives, and interwove my Tales of the Known World saga with various expressions of this one simple insight.

My self-awareness brought with it a depth of understanding that cannot be expressed in words. There came a peace and serenity as I recognized the true nature of my self, and the trappings of the external world fell away. Smart/stupid, pretty/ugly, thin/fat, male/female - I saw through dualities as meaningless labels slapped across infinite being, and I came to know my true self as the indescribable beyond.


That's it for this post! Up Next: Sharing my discovery with others...

Download the Author's Manifesto here, or start your adventure below.






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Wednesday, May 10, 2017

My First Constructed Languages: inspiration & spark

This post is Part 2 of a series to augment the Author's Manifesto available for free download. Start with Part 1 here.

This and other inspirations of mine are gathered in the Spark Directory for you to explore.

Find more linguistic content in my Language Directory.



In Part 1 of this series, I discovered my love of language. While in high school, I began working on a number of writing collaborations with a friend. She had a sci-fi world envisioned where psychic plants had evolved to resemble the human form, and for the planet of Zenith, we developed a rudimentary language called Nithii. We cared primarily about the foreign squiggle for each letter of their alphabet, and we established some basic rules for how syllables combined - mostly to invent cool names for characters and deities in the plant pantheon.

Neighboring the temperate planet Zenith was the hellish Zyph, where a runaway greenhouse effect broiled the once habitable planet into a vaporizing oven. Long ago, humans had arrived to colonize Zyph, only to discover that an ecological disaster had occurred during their long journey through space. Their mistake and desperation to survive spurred them to colonize Zenith instead, and the prehistoric psychic plants of the time grew to mimic the bipedal forms of the alien humans. Peace would not last, and over the next few centuries, the Nithii forced the humans off their planet.


Check out this Author's Manifesto for more of my inspirations!


The humans returned to Zyph and tunneled underground, the only place where conditions were livable. They carved out huge warrens through the rock, but the surface temperatures were so dangerous that the humans endeavored some genetic manipulations. Akin to The Dragonriders of Pern, the human settlers crossed their DNA with tiny winged lizards that dwelt on the surface, to ensure their survival.

Though the humans could unrealistically morph between a dragon form and a human form, their language grew to reflect their reptilian modifications. Hissing, guttural sounds with weird spellings made common appearances in names of characters and places. Over time, I dissected the names into different pieces, ascribing meaning to each piece. The language Zyphyr was born.

Well before my Tales of the Known World saga, as my friend and I adventured in our sci-fi world, I invented a new race of beings from the planet Bluith, whose bodies were formed out of crystallized blue light. Though I never invented their language, I described it as a waterfall of consonants, a dizzying and unintelligible language without a single vowel.


That's it for this post! Up Next: Linguistics classes and new creations...

Download the Author's Manifesto here, or start your adventure below.






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Wednesday, May 3, 2017

An Artist After All: inspiration & spark

This post is part of a series to augment the Author's Manifesto available for free download.

This and other inspirations of mine are gathered in the Spark Directory for you to explore.

Find more original art content in my Artwork Gallery.



My whole life, I've always had an appreciation for art. I looked to artists with awe and respect, and I had great esteem for the friends I had who could draw or paint or sculpt. I always felt like artists were cooler than me, with their pretty finished pieces that could be absorbed and appreciated with a glance. I was the less-shiny wordsmith in the corner, sculpting poetry and chiseling away at my set of novels, knowing that every one of their pictures was worth a thousand of my words. In those days, at least in my own mind, I was very much not an artist.

And yet, I dappled in artistic pursuits. An oil pastel here, a chalk and charcoal there, and once an oil painting with speckled white gaps between colors. Nope, not an artist. But I still liked to work with my hands. I expressed my creativity with crafting, particularly textiles, creating latch-hooked yarn rugs from store bought kits. Over time, I started adding more crafts to my repertoire - making candles, braiding rag-rugs, learning to knit and locker-hook with fabric and with yarn. I created my own knitting patterns, designed my own rugs, and even adapted a few traditional rug-making techniques to work with craft yarn and canvas.


Check out this Author's Manifesto for more of my inspirations!


Then one day I heard about the zentangle, a detailed freeform doodle that looks good and does not require "real" artistic talent. I read an article, watched some YouTube videos, and started my own zentangles. The first few were clunky as I drew them, the concepts of the artform still hazy and my hand unsteady as I shoved an ultra-fine Sharpie across the page. But before long, my perspective on my own art had shifted completely. After a few bigger pieces and some glowing feedback from friends and strangers, I realized - I'd been an artist the whole time!

There is an art to making stuff, whatever the stuff. Craftsmanship in this world is ever being replaced by machined parts and assembly. Handmade goods are rare and expensive, well outside the price range of what most people would call reasonable. But I love the feel of string slipping through my fingers to become something manifest, a Zen-like peace in the repetitive motions. I use my crafting time to mull over the secrets of the universe, unraveling the mysteries of the human heart and concocting the greatest stories of my Tales of the Known World saga.

Whether ink and paper, fabric and rug canvas, or yarn and knitting needles, my art expresses a bit about who I am and what I love. But no matter the medium, to me, the greatest prize is the time required to complete each project. Each hour of making art is an hour of honest meditation, self-reflection, and relaxed enjoyment of the physical world. Art gives me time to integrate my life lessons, ground myself in who I really am, and process through all the twists and turns of my epic fantasy adventures. I might have discounted my art as a youth, but with a little Sharpie and a lot of open-minded consideration, I've become one of the artists I respect and esteem.


That's it for this post! Check out my latest inspirations for more.

Download the Author's Manifesto here, or start your adventure below.






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Monday, May 1, 2017

Portent XI of Broken: a riddle in rhyme

Portent XI of Broken: rejoin the caverns from the sky www.DNFrost.com/prophesy #TotKW A riddle in rhyme by D.N.Frost @DNFrost13 Part of a series.
In the novel Broken, there are 24 portents fortelling the events of the unfolding saga.

Start with Portent I here.

These and other riddles in rhyme are gathered in the Portents Directory for you to explore.

Enjoy!


To bitter end the forests clasp
Relent and heed the call
To wrest themselves from hollow grasp
Of hatred's bitter sprawl

In bonded fate their hearts arise
And under curse renowned
Release the long engendered ties
Of enmity unbound

With aid at last to foes reply
Their winged spears untold
Rejoin the caverns from the sky
To smite the curse of old.


Can you decode the future Tales of the Known World?

Share your interpretation!
Comment below with your take on this portent.


This portent tells of an ancient curse broken when a people come to the aid of their enemies. Who do you think released the long engendered ties of enmity unbound, and what foes share their bonded fate?



Download the Prophesy Appendix:

The merfolk culture is built on the prophetic Gift. Nearly all men produce a portent every twenty days, and they devote their lives to interpretation. For more about the role and inner workings of prophesy, check out the Prophesy Appendix above.



Alongside every prophesy is an attribution block. This block contains a byline giving the name of the person who said the prophesy, and a dateline giving the day the prophesy was first said. Here is the attribution for this portent:
Ranyik Rwahnna Rovikya V
2:2:4:7/5, III:IX
The portent attributed here has not yet been interpreted. It was said recently, and it will be repeated every twenty days until either it is correctly interpreted, or it comes to pass.


That's it for this post! Up Next: In exiled shadow voice invites...

For the Prophesy Appendix, enter your email above.






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