Showing posts with label character. Show all posts
Showing posts with label character. Show all posts

Saturday, January 15, 2022

Workshops on Writing: a workshop directory

This post is part of a series to augment the Tips for Writing Fiction available for free download.

The best and latest writing workshops are gathered here at www.DNFrost.com/workshops.

Find more content navigation in my Resource Directory.



Also check out my workshops for worldbuilders at
www.DNFrost.com/worldbuilding.



Reduce Your Word Count: NEW POST!

I'm of the camp that using less words is better than using more words. If your draft is really long, there are a few things to look over during revisions. Check out these 6 clear-cut ways to tighten up your prose.

Read more of this post here...




What are Workshops? On this website, the workshops tag refers to posts about writing techniques to improve your own craft.

The storycraft workshop series focuses on elements of story, and the wordsmith workshop series focuses on leveraging the written word.

Read more about this tag here... Soon.



Tips for Writing Fiction: a free download

Take your writing to the next level with this collection of tips and workshops.

You'll hone each skill individually and take actionable steps toward a better manuscript.

Read more about this download here...



Download your workshop guide Tips for Writing Fiction here.



What is Storycraft? On this website, the storycraft tag refers to writing workshops that focus on specific elements of story.

The storycraft workshop series explores story techniques and concepts, like designing story structure and planning plot events.

Read more about this tag here...



More storycraft workshops


Rework Your Flashbacks: why reflections make a better read www.DNFrost.com/workshops A storycraft workshop by D.N.Frost @DNFrost13 Part of a series.
This ongoing post series includes a number of story-focused workshops that stand alone.

The latest post is Rework Your Flashbacks and an array of other posts discuss topics like choosing the right plot events and blending predictability with the unexpected.

Explore more posts here:




What is a Character? On this website, the character tag refers to storycraft workshops that focus on specific elements of character.

The character workshop series explores characterization topics like building relatable characters and leveraging traits and quirks.

Read more about this tag here... Soon.



More character workshops


Your Story Comes First: characters form the basis of a great story www.DNFrost.com/workshops A character workshop by D.N.Frost @DNFrost13 Part of a series.
This ongoing post series includes a number of character workshops that stand alone.

The latest post is Your Story Comes First and an array of other posts discuss topics like organic personality growth and adding depth to minor characters.

Explore more posts here:




Download your workshop guide Tips for Writing Fiction here.



What is a Wordsmith? On this website, the wordsmith tag refers to writing workshops that focus on leveraging the written word.

The wordsmith workshop series explores manuscript techniques, like choosing the best words and crafting ideal syntax.

Read more about this tag here...



Guest post swap with Jocelyn Crawley


My Top 5 Favorite Sentences: unveil precision in your best work www.DNFrost.com/workshops A wordsmith workshop by Jocelyn Crawley for D.N.Frost Part 1 of a series.
This 2-part post series describes her favorite sentences and my philosophy on adverbs.

It starts with My All-Time Top Five Favorite Sentences and ends with Friend or Foe? Adverbs.




More wordsmith workshops


Reduce Your Word Count: 6 ways to tighten up your prose www.DNFrost.com/workshops A wordsmith workshop by D.N.Frost @DNFrost13 Part of a series.
This ongoing post series includes a number of manuscript workshops that stand alone.

The latest post is Reduce Your Word Count and an array of other posts discuss topics like picking the right words and presenting them in the best order for your readers.

Explore more posts here:




Download your workshop guide Tips for Writing Fiction here.



What is Style? On this website, the style tag refers to workshops on writing style, featuring both storycraft and wordsmith elements.

The style workshop series focuses on unique elements of style, and the style analysis series pinpoints how authors create their own style.

Read more about this tag here... Soon.



Tips on flow


Adjust Your Flow: craft the pace and pulse of your story www.DNFrost.com/workshops A storycraft workshop by D.N.Frost @DNFrost13 Part 1 of a series.
This 2-part post series addresses how flow is impacted by both the story and the manuscript.

It starts with Adjust Your Flow and ends with Control Your Flow.




Style by M.L. Spencer


Darkstorm by M.L. Spencer: an engaging prequel showcasing a diverse continent www.DNFrost.com/workshops A style analysis by D.N.Frost @DNFrost13 Part 1 of a series.
This 3-part post series analyzes the writing style in Spencer's first three novels.

It starts with Darkstorm by M.L. Spencer and expands into her debut novel and sequel, exploring her stylistic techniques as well as various aspects of her worldbuilding.

Explore posts 2-3 here:




More style analysis


Songs of Insurrection by JC Kang: precise prose and balanced characters from many cultures www.DNFrost.com/workshops A style analysis by D.N.Frost @DNFrost13 Part of a series.
This ongoing post series includes a number of style analysis essays that stand alone.

The latest post is Songs of Insurrection by JC Kang and an array of other posts explore the storycraft and wordsmith techniques of authors and creators in multiple genres.

Explore more posts here:



That's it for this post! Check out the latest writing workshops for more.

Download Tips for Writing Fiction here, or start your adventure below.






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Thursday, December 16, 2021

Songs of Insurrection by JC Kang: a style analysis

This post is part of a series to augment the Tips for Writing Fiction available for free download.

This and other writing workshops are gathered in my Workshops Directory for you to explore.

This post is also Part 2 of a series about JC Kang. Start with Part 1 here.

Disclaimer: I received a free copy of this book in exchange for an honest review.



In Part 1 of this guest series, I provide the actual book review! The long-form style analysis below goes into much greater detail, diving into many aspects of storycraft, worldbuilding, and wordsmith techniques.

Songs of Insurrection by JC Kang is Book One of The Dragon Songs Saga from his Legends of Tivara series. This book was previously published with a different cover, and it was originally published under the title The Dragon Scale Lute, Book One of the Daughter of the Dragon Throne series.

★★★★★


Five stars! This great story delivered something I've never seen before.

★★★★★

The story opens with Kaiya, an unmarried daughter of the all-powerful emperor in a magical Asian world. When a loveless arranged marriage threatens to rob her of her greatest joy, she embarks on a defiant and clandestine adventure to resurrect the ancient practice of wielding magic through music.

Encouraged by the handsome foreign prince of a war-torn nation, Kaiya acquires priceless musical artifacts, invades ancient performance halls, and embraces the mystic knowledge of a centuries-old elf to unleash her magic.

But unrest brews in her father's empire.

Rival ninja clans support rebellious feudal lords who stockpile illegal gunpowder to prepare for their coup. With spies and traitors all around, Kaiya seeks to harness the power of her music before her country falls to ruin.

Songs of Insurrection tells two interlocked stories — the story of Kaiya's budding musical gift and star-crossed romance with a foreign prince, and the story of the exiled son of a feudal lord, now a covert agent of the Black Lotus ninja clan sworn to serve the Dragon Throne.

The romantic subplot is elegantly crafted, capturing the onerous thrills of first love and advancing the plot rather than supplanting it. Kang contrasts the lofty and well-clad dangers of court intrigue with the immediacy of espionage agents in the line of duty, and he deftly brings these two worlds to collide in an epic finale.



Check these Tips for Writing Fiction to see more workshops!



Though a gullible and heart-driven girl of sixteen, Kaiya is also an imperial princess of wisdom and fortitude, capable of making great personal sacrifices for her people and their well-being.

While the updated cover and description for JC Kang's Songs of Insurrection drew my eye, I was initially confused when the book I received had a different cover, title, and series name.

This older cover placed much more emphasis on the romantic subplot, clothing Kaiya in pretty pink and presenting The Dragon Scale Lute as an Asian princess love story rather than the epic coming-of-age tale of female empowerment that I'd wanted to read.

After some quick online research, I determined that they were in fact the same story, and despite my misgivings about the pink-swathed princess on the front cover, I dove into the novel and finished the book in two days.

To my delight, Kang delivers a stellar cast of characters, each with his or her own skills, strengths, and flaws. He presents the pimple-faced teen princess as realistically sheltered and gullible, yearning for a man who can see her beauty and the value of her musical artform.

But this isn't just a princess story. JC Kang toggles from Kaiya's musical romance to the covert spies and espionage that make this story truly shine.

My favorite character is Tian, a Black Lotus operative with a head for numbers. He presents numerous calculations throughout the story, and in scenes told from Tian's point of view, the author uses precise numbers in prose to further characterize Tian in a subtle, pervasive, and wholly effective way.



Check these Tips for Writing Fiction to see more workshops!



JC Kang writes with swift punchy prose that lets the story flow unimpeded. His writing style is quick and clear, setting up the plot's conflicts and building momentum with no muss or fuss.

While the language is not simplistic, the manuscript feels polished and unpretentious — Kang's emphasis is, as it should be, on communicating his story in the most effective way possible.

Songs of Insurrection escalates quickly from the tale of a dissident princess to a story of mass insurrection and international politics. Blow by blow, Kang artfully raises the stakes for an exciting read that is impossible to put down.

The world of Songs of Insurrection is breathtaking in its detail and resplendent with features unique to epic fantasy as a whole. JC Kang brings to life a world inspired by ancient imperial China, replete with ninja-like clan operatives, gunpowder for muskets and cannons, and a vast nation united by the Mandate of Heaven.

By contrast, the foreign prince rules the war-torn analogue of neighboring India, his features more browned and his country renowned for their martial arts. He even names the Hindu goddess Saraswati as the divine patron of the arts.

Kang also name-drops an infamous book of military strategy, The Art of War, attributing its creation to the great Founder of the ruling imperial dynasty in his world.

True to the culture of ancient imperial China, Kang presents a heavily male-dominant society, leveraging his stark backdrop for two powerful free-spirited females to break the mold.

The princess Kaiya defies her father's imperial will and plans of betrothal, and the Black Lotus operative Jie dresses like a boy to disguise her mixed heritage and to skillfully take care of business.



Check these Tips for Writing Fiction to see more workshops!



Songs of Insurrection takes place in a land of rich history, with magic woven into the tapestry of everyday life through artifacts like light baubles and magical artforms like calligraphy and martial combat.

JC Kang's background in Chinese medicine shines through in his realistic descriptions of acupuncture, breathing exercises, and the use of posture and qi or chi energies to work magic.

Given the exotic non-Western nature of most aspects of Kang's world, he keeps the story navigable and fun for an English audience by assigning various nicknames to minor characters like Fat Nose Jiang and Lefty Li Wei.

Overall, I really enjoyed Songs of Insurrection, and I'm very grateful for the free copy I received in exchange for my honest review. I plan to read the other books Kang's saga, and I look forward to reviewing Book Two!


Please buy your copy of
Songs of Insurrection by JC Kang here.

Have you read this novel? Help the author and write your own review.


That's it for this series! Check out the latest writing workshops for more.

Want a review of your own book? Check out my Services for Authors.
You deserve a mindful reader and an honest book review.

Download Tips for Writing Fiction here, or start your adventure below.






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Wednesday, July 19, 2017

The Gears of Fate: inspiration & spark

This post is Part 5 of a series to augment the Author's Manifesto available for free download. Start with Part 1 here.

This and other inspirations of mine are gathered in the Spark Directory for you to explore.

Find more prophetic poetry in my Portents Directory.



In Part 1 of this series, I triggered a shift in my perspective. Now I began mapping my fictional characters and events from a cosmic viewpoint. Each character was on a journey to enlightenment, interacting and engaging in events from their unique perspectives in place and time.

Events unfolded on two levels: the manifestations of those in physical form, and unexpected events that seemed to be external. From a cosmic viewpoint, however, these external events were integral to the progression of characters toward their ultimate enlightenment, triggered in their best interests, though the characters themselves couldn't know it at the time.


Check out this Author's Manifesto for more of my inspirations!


Usually interpreted as luck or chance, I appropriated these deus ex machina events into my cosmic paradigm, and I examined them through the mechanism of prophesy. Within the story, an entire race of merfolk can divine the future. In early stages, this was simply an interesting concept - what would a society be like, if every single person could know the future? But with my new insight into the universal story formula, I explored prophesy in a new way.

Even without prescience, real people correctly predict things about their future all the time. Technically, "I'll be hungry later" is a correct prediction about the future. We create our futures every day, by the things we believe and the way those beliefs inform our interpretations and reactions to events. In essence, we predict what will happen, and our predictions manipulate us into making them come true. In my Tales of the Known World saga, the prophetic merfolk do the same thing by interpreting their ambiguous riddles about the future.

It is the merfolk's vested belief in their interpretation that fulfills a prophesy, not the prophesy itself. The merfolk exacerbate this self-fulfillment by sharing their interpretations with the non-prophetic landfolk, purporting these interpretations as ultimate truth. They even meddle in the affairs of men and kings to cause these events to happen. All of this, as with we humans, is justified under the banner of unerring truth, when really it's nothing more than the blindness of conviction.


That's it for this post! Up Next: The five prophetic ages of the merfolk...

Download the Author's Manifesto here, or start your adventure below.






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Wednesday, July 5, 2017

From Real Magic to Fantasy Magic: inspiration & spark

This post is Part 4 of a series to augment the Author's Manifesto available for free download. Start with Part 1 here.

This and other inspirations of mine are gathered in the Spark Directory for you to explore.

Find more mystic content in my Magic Directory.



In Part 1 of this series, I began questioning my life's purpose. As I mulled through my divergent callings, I struck upon a fascinating idea. Instead of writing a book of truth, I could deliver that truth within my fiction. My knowledge of the ego and the true self already informed how I developed my characters. And I'd noticed the Law of Attraction at work, not just in real life, but also in the most compelling stories of all ages. It seems the human heart is hard-wired to yearn for just desserts - nice people manifest rewards, and mean people manifest trouble.

These cosmic principles feel so inherently right to us that we even require our myths and stories to reflect them in some way. We want the good guy to triumph, and we want the bad guy to suffer. The best stories feel so powerful to us because they embody these cosmic principles throughout many facets of the storyline. I'd discovered the formula for a great story, and it was grounded in the ultimate truth of the universe. It is the formula for all stories, both real and fictional.


Check out this Author's Manifesto for more of my inspirations!


Integrating this notion into my storytelling, I reviewed my fantasy tales and began noticing cosmic principles everywhere. The most obvious representation was the magic of the Known World. What better parallel could there be than a person setting forth the intention to cast a spell, and the manifestation of that spell? That was the crux of the Law of Attraction: decide, align, receive. The only difference between fact and fiction was that in the real world, magic is dismissed as fantasy, so it can be harder for the mind to allow for the possibility. In the Known World, magic is accepted as possible, so it manifests much more easily.

Beyond the normal magic of the Known World, there was also the idea of deep magic. Originally based on an elite magical language known only to a blessed few, deep magic transformed into the deliberate use of creative energy to manifest change in the physical world. The elite language was no longer a requirement, but rather an advanced tool to direct the creative energy, similar to the use of sacred chants and sutras in the real world.

Just as every person can attain enlightenment, all people of the Known World can potentially wield deep magic. But not all on Earth are called to awaken, and few in the Known World are called to transcend their mortal limitations to channel deep magic into the physical realm.

Real people tend to be powerful in certain areas of life, but flawed in others. Few of us are desperately evil or unerringly sanctified. Rather, most of us tread some sort of middle ground, where we do well in certain areas and less well in others. To mirror this in my Tales of the Known World saga, I reimagined the elite rosen who use their special language to wield deep magic.

This language awakens their inner power, but it's also a shortcut to wielding deep magic without attaining enlightenment first. They can create anything they desire, but only if they can believe in the magic they're casting. Just like all of us on Earth, their unlimited creative power is hampered only by their beliefs of what's possible and their expectations of the future.


That's it for this post! Up Next: The workings of our self-created futures...

Download the Author's Manifesto here, or start your adventure below.






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Sunday, April 9, 2017

Apollo's Raven by Linnea Tanner: a style analysis

This post is part of a series to augment the Tips for Writing Fiction available for free download.

This and other writing workshops are gathered in my Workshops Directory for you to explore.

This post is also Part 8 of a series about Linnea Tanner. Start with Part 1 here.

Disclaimer: I received a free copy of this book in exchange for an honest review.



I first connceted with Linnea Tanner in Part 1 of this guest series, and in Part 7 of this guest series, I provide the actual book review! The long-form style analysis below goes into much greater detail, diving into many aspects of storycraft, worldbuilding, and wordsmith techniques.

Apollo's Raven by Linnea Tanner is Book One of the Curse of Clansmen and Kings series, a Celtic historical fantasy set during the first century C.E. when Tiberius ruled the ancient Roman Empire. This book was originally published with a different cover, and I received this book as an advanced reading copy.

★★★★


Four stars! This great story revealed something I didn't see coming.

★★★★

The main character of this story is a fair maiden, Celtic princess, and spirit warrior named Catrin. Her strange powers allow her to commune with ravens, an animal considered very wise in the Celtic tradition.

Though forbidden by her father to explore her dangerous powers, Catrin foresees the destruction of her kingdom and turns to her raven spirit for help.

When troops from the aggressive Roman Empire land on her shores, Catrin and her family struggle to maintain peace and prevent her vision from coming true.

But Catrin falls haplessly in love with the son of the Roman ambassador. Their star-crossed romance fans the flames of an epic tale of honor, intrigue, and Celtic mysticism inspired by an ancient era of Roman conquest.

Tanner writes in a declarative, factual style that is nonetheless well-described and engaging. For me, her sentences sometimes felt a little long, but this is mostly a matter of personal taste.

I'm not usually drawn to books written in this style, and in places, the story had the feel of an engaging history textbook. But this actually heightened the air of historical significance within Apollo's Raven, and I admire Tanner for leveraging her writing style in this skillful way.



Check these Tips for Writing Fiction to see more workshops!



Her love for history shines through this novel in all the rich details Tanner has diligently researched; her painstaking efforts brought the world of the ancient Celts to life. Her grasp of Celtic mysticism was deft and imaginative, and she contrasted this ancient pagan tradition with the more well-known paganism of ancient Rome.

Tanner also intertwined the mysterious workings of Catrin's raven spirit with the Roman sun god Apollo and his raven messenger of legend. Though this story takes place entirely in ancient Britannia, this overlay of Celtic and Roman mythology gave rise to the name Apollo's Raven for the novel.

Beyond the amazing (and historically accurate) foray into the world of the ancient Celts, Tanner's well-crafted story kept me guessing. Between Tanner's myriad character motivations and the mystic nuances of Celtic shamanism, Apollo's Raven delivered the unexpected in a highly satisfying way.

I loved how Tanner revealed one piece of the puzzle at a time, sometimes through a chapter following a specific character, other times through dialogue about offstage events.

I also liked the fast-paced chapters, and at the beginning of each chapter, Tanner placed an intriguing quote from the manuscript to come. I found that this "preview" enhanced my anticipation of the unfolding story, and it made the book quite hard to put down. I read three quarters of it in one sitting.



Check these Tips for Writing Fiction to see more workshops!



Tanner's book involved many dynamic elements, from the tempestuous political climate of Britannia, to the unpredictable nature of young love, and the dangerous, little-understood powers of the Druids.

My favorite of the story's many factors involved a curse placed on the royal family well before Catrin's birth. The determined princess might use her raven's powers to alter the curse and change the future, but her powers themselves are part of the curse.

With little wisdom outside the raven to guide her and time running out for her Roman love, Catrin must immerse herself in the ancient magic of the Druids and fight to remain unscathed.

Overall, I found Apollo's Raven exciting, romantic, and laudable in its rich details of Celtic life. I am definitely reading her next book in the series! And I look forward to reviewing Book Two.


Please buy your copy of
Apollo's Raven by Linnea Tanner here.

Have you read this novel? Help the author and write your own review.


That's it for this series! Check out the latest writing workshops for more.

Want a review of your own book? Check out my Services for Authors.
You deserve a mindful reader and an honest book review.

Download Tips for Writing Fiction here, or start your adventure below.






Liked this? Share, please!

Saturday, April 1, 2017

The Once and Future Nerd: a style analysis

This post is part of a series to augment the Tips for Writing Fiction available for free download.

This and other writing workshops are gathered in my Workshops Directory for you to explore.

This post is also Part 4 of a series about The Once and Future Nerd. Start with Part 1 here.



I first connected with Madera and Glass in Part 1 of this guest series, and in Part 3 of this guest series, I provide the actual podcast review! The long-form style analysis below goes into much greater detail, diving into many aspects of storycraft, worldbuilding, and wordsmith techniques.

The Once and Future Nerd is an epic fantasy podcast written by Christian Madera and Zachary Glass, recorded by professional voice actors, and empowered by its own original score. This report pertains to the episodes in Book One of the podcast.

★★★★★


Five stars! This great story delivered something I've never seen before.

★★★★★

In this multi-faceted fantasy adventure, three high school students are transported to the fantasy realms of Iorden, teetering on the brink of war.

The old king has no legitimate heir, and treachery has replaced loyalty as order of the day.

Unable to return home, the students quickly get embroiled in a daring storyline of intrigue, comedy, and magic in this epic fantasy podcast.

The script for this story is immaculate. The voice actors breathe life into their roles, and witty narration ties the whole story together. I love how each character's unique personality shines through the dialogue; even the narrator's personality shines with sardonic dry wit.

The podcast's original score is engaging and heightens the story even further. As a purely audio story, this podcast hearkens back to the time of episodic radio stories, where whole families would gather around and listen to the latest adventures of their beloved characters.

Also, I loved the sound effects! The clop-clop and creak of a horse-drawn cart, the ringing of swords, and the haunting echo of insidious footsteps add depth and nuance to this storyline. I'm delighted at how vibrant and rife with detail the world of Iorden became thanks to these well-used and immersive sound effects.

Madera and Glass went above and beyond to include all these extra noises in their podcast script, a deft expression of imagery in their audio medium. At one point, the moans of a doomed man with his tongue cut out actually turned my stomach; the memory of the sound still haunts me. Well played!



Check these Tips for Writing Fiction to see more workshops!



The Once and Future Nerd might not be the first podcast out there to tell a fantasy story, but I am sure you won't find one with a higher caliber of storytelling or execution.

The concept itself is novel -- write an incredible story for an audio-only medium, hire professional voice actors to record the story, hire a professional orchestra to record an original score, and edit all the recordings together into thrilling episodes to be released for free every other Sunday.

It's a bold project, a huge workload, and a labor of love by Madera and Glass.

Aside from the unusual format and high-quality execution of this fantasy podcast, the story itself probed numerous facets of our human existence that aren't often deeply explored. Themes like intrigue and betrayal are fantasy staples; heroes being afraid of their own powers are not.

But it wasn't so much that the podcast explored these less-plumbed realms of human personality; it was how many characters presented such depths. Even minor characters swelled into complex tangles of human traits.

Beyond the well-crafted characters and the themes of humanity that Madera and Glass have explored through them all, The Once and Future Nerd also breaks the tired old fantasy mold in refreshing and masterful ways.



Check these Tips for Writing Fiction to see more workshops!



Common fantasy tropes often dictate unfolding storylines, and fantasy fans can often use these well-known guidelines to guess what is going to happen next. But not so with The Once and Future Nerd.

Madera and Glass call practically everything into question, from re-casting the immortal elves into aristocrats with southern accents, to leaning on the fourth wall as the transported students insist that the Cairn of Evil Untold will definitely have zombies.

And of course, let us not forget the F**k-Up-Your-Plans sprites that may or may not wreak havoc when novice characters discuss the dire state of their vehicles.

Overall, I devoured this podcast in a matter of days, and I'm so excited for their launch of the Book Two storyline! Every TOAFN episode asks listeners to leave a review on iTunes, so after I finalized my review, I did just that.



Have you heard this podcast? Help the creators and write your own review.


That's it for this series! Check out the latest writing workshops for more.

Want a review of your own book? Check out my Services for Authors.
You deserve a mindful reader and an honest book review.

Download Tips for Writing Fiction here, or start your adventure below.






Liked this? Share, please!

Sunday, March 12, 2017

Darkmage by M.L. Spencer: a style analysis

This post is Part 2 of a series to augment the Tips for Writing Fiction available for free download. Start with Part 1 here.

This and other writing workshops are gathered in my Workshops Directory for you to explore.

This post is also Part 6 of a series about M.L. Spencer. Start with Part 1 here.

Disclaimer: I received a free copy of this book in exchange for an honest review.



I first connceted with M.L. Spencer in Part 1 of this guest series, and in Part 5 of this guest series, I provide the actual book review! The long-form style analysis below goes into much greater detail, diving into many aspects of storycraft, worldbuilding, and wordsmith techniques. I wrote my first style analysis for M.L. Spencer in Part 1 of this workshop series.

Darkmage by M.L. Spencer is Book One of The Rhenwars Saga, an epic fantasy spanning a millennium, two realms, and all the ethics of the human condition. This book is Spencer's debut novel, published before the prequel that I reviewed here. When the prequel was first published, this novel was billed as Book Two, but has since reverted to Book One.

★★★★


Four stars! This great story revealed something I didn't see coming.

★★★★

Returning home after two years in exile, acolyte mage Darien Lauchlin receives his magic powers mere moments before the city is destroyed in an act of heinous betrayal.

Driven by ever more dire threats to his homeland, Darien must shoulder the terrible burdens of his station, alone in a world rife with suspicion and abomination.

His ultimate end: to seal a deadly portal by surrendering his own soul to the Netherworld. Staring down this infernal eternity, Darien struggles with grief, ethics, and ultimately his own humanity as he fights to save a homeland he no longer deserves to be part of.

As with Spencer's prequel, Darkmage was a pleasure to read. The manuscript was polished, descriptive and engaging. Spencer's writing style continues to bring to life her fantasy world with exquisite detail.

Spencer paints her world with deft strokes and has a special knack for describing the natural surroundings of each scene. Stormy skies, brilliant sunlight, sweeping prairie, and sere mountain views formed the anchor within which Spencer's unfolding plot came to life.

Both Spencer's novels so far have explored the boundless gray areas between right and wrong, and how much the human spirit can endure while navigating those tricky and unrewarding waters.

I loved Darien's character the whole way through, and I'm impressed with the way he evolved from a swarthy acolyte in love to a responsible and potent mage determined to save his homeland from destruction.



Check these Tips for Writing Fiction to see more workshops!



But when it came time for Darien's final turn from responsibility into depravity, the change felt somewhat sudden, though not as sudden as the character changes I noted in my prequel review.

Darien's shifts in personality were well-primed and inevitable. They felt justified, necessary, even reasonable. But there's always something painful about a beloved character slipping into the tarnished depths of amorality.

Like any defining moment, Darien's turning point felt too brief, too haphazard, too irrevocably final. But despite the change and its inherent suddenness, I still loved Darien all the same.

Another parallel I noticed between both Spencer's novels was the way she crafted each story's opening. In the prologue of each book, a character dies, the death sending ripples of implication throughout the rest of the story.

Though a thousand years apart, the start of each book also depicts a similar scene -- a stormy night in a mountain city, and a woman alone in the rain. Even the women's names seem similar, Meiran in Darkmage and Merris in the prequel.

Of course, parallels like this are intentional, and I found myself contemplating Spencer's reasons. The stories of both books are a thousand years distant from each other, and yet the stories were instantly correlated, connected in some transcendent way.

I cannot attest to what she hoped to achieve, but for me, this sense of continuity established an expectation as I read, the expectation that the stories would somehow continue to be correlated as the book progressed.

What a great delivery! The novel maintained that sense of connection to Spencer's first book as the story unfolded. Not only did the events of the prequel have an impact on the events of Darkmage, but even some of the long-dead characters from the prequel made appearances, otherworldly and imminently crucial to the tale at hand.

Whether or not this sense of connection was Spencer's intention as she crafted her books, I can say that it enhanced my enjoyment of this book, and it also enhanced my appreciation of the prequel.



Check these Tips for Writing Fiction to see more workshops!



While the plot of Spencer's saga focuses on apocalyptic dangers and the hard-pressed souls who must avert those dangers, aspects of her fantasy world are reminiscent of the Game of Thrones series.

In Darkmage, Greystone Keep stood for five hundred years at the Front, holding the Pass of Lor-Gamorth against the invasions of the chaotic Enemy who dwell in the Black Lands.

Fans of George R.R. Martin may notice parallels to the icy Wall that barricades the chilling Others of the north, and fans may sense the sworn fraternity of his Black Brothers within Spencer's men of Greystone.

In addition to these features of Spencer's world, her story is one of mortal anguish and political intrigue, themes omnipresent in the Game of Thrones series.

A proud and beloved theme in fantasy depicts the unwilling union of nations to defeat the most vile threat of all, and Spencer's novel Darkmage resounds with this triumphant reluctance.

But unlike the infamous works of Martin, magic is more prevalent in Spencer's diverse society, and a number of her cultures have adapted to the presence of magic in everyday life.

The magic of Spencer's world is itself a wonder. Of all the ways to express magic in a fantasy world, Spencer envisioned a planet pulsating with a magic field. Similar to the magnetic field of Earth, Spencer's magic field flows around the planet, all-encompassing but also variable.

Earth's magnetic field fluctuates from place to place, stronger in some regions and weaker in others. Spencer's magic field follows similar force lines, converging into powerful vortexes in some locations and canceling out into magical dead zones in other places.

I found Spencer's unique planetary field as a really great expression of magic, and I loved how she showcased the specific areas where the field was absent or too violent to wield. In the null zones with no magic, mages can neither be detected nor empowered by the magic field they rely upon so heavily.

In contrast, the magic vortexes are cacophonies of flowing power, and mages foolish enough to draw in that power are obliterated in its wake. I love how Spencer's mages must take special care to shield their minds from the magic field within these vortexes, endangered by the very field that empowers them elsewhere.



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I was also delighted to meet the Jenn, a nomadic tribe of horsemen reminiscent of a now-extinct culture from the prequel. I really liked that earlier culture, and I was sad to learn that after an apocalypse and a millennium, they had not survived. But though Spencer doesn't outline the history or ancestry of the Jenn, I have hope that they are somehow descended from that beloved tribe wiped out long ago.

Other aspects of Spencer's world-building were equally delightful. Her numerous deities feature prominently in the cultures of the Rhen. While there is no overt interaction with deities themselves, Spencer accentuates the reality of these gods through the magic and miracles witnessed in her unfolding tale.

My favorite deity was Isap, the goddess of death, whose priestess is a prominent supporting character. The undeniable reality of the goddess's power gives credence to every deity in the Rhen, leaving the reader in true trepidation about the unknowable whims of very-real gods.

Though Spencer frames the whole of Darien's painful quest in no uncertain terms, I was gratified by how much room for surprise she maintained within the story.

And when Darien offered up his beautiful and poignant parting gift for the two he loved most in life, I loved how he graced them with an undying legacy that would both remind them of his love and remain with them for all their days, as he himself could not.

Overall, this book was potent and raw, a laudable novel that makes me look forward to the release of Spencer's remaining books in the series.


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Darkmage by M.L. Spencer here.

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