Thursday, December 7, 2017

Portents of Mother's Gate: Book of Epic Poetry from the TotKW Saga



Book of Epic Poetry:
Portents of Mother's Gate


Prophesy from the era arranged as epic poetry.
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In a world rife with prophesy, the future is already written
and the predictions of yesteryear become the story books of today...

As the Chronicles of Mother's Gate unfold, scholars interpret portents old and new to decipher the future of the Known World and publish fresh details for an eager public.

This is a story book of that era, a contemporary publication of epic poetry recounting heroic deeds of the past, the present, and the coming future.

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Read sample portents from the saga:

Portents of Awakening: prophetic riddles in rhyme from Book 1 www.DNFrost.com/prophesy #TotKW A prophesy directory by D.N.Frost @DNFrost13 Part of a series. Portents of Broken: prophetic riddles in rhyme from Book 2 www.DNFrost.com/prophesy #TotKW A prophesy directory by D.N.Frost @DNFrost13 Part of a series. Portents of Conceived: prophetic riddles in rhyme from Book 3 www.DNFrost.com/prophesy #TotKW A prophesy directory by D.N.Frost @DNFrost13 Part of a series.


Praise for Portents of Mother's Gate:
These poems are wonderfully rhythmic.

They are an adjunct to other books in the series, considered historical prophecy and repeated at every opportunity to remind us of the impeding events long before ordained.

The rhyme schemes lend ease to memorization, and it is worthy of an indulgent read, especially when read aloud.

I would recommend these as must read if you are reading the other books and an interesting read which would call me to read the series.

-- Karin V. of Calgary ★★★★★

Have you read this book of epic poetry?
Please write your own review.

See all TotKW reviews at www.DNFrost.com/praise.





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Friday, December 1, 2017

Portent XVIII of Broken: a riddle in rhyme

Portent XVIII of Broken: the advent dear to legend's heart www.DNFrost.com/prophesy #TotKW A riddle in rhyme by D.N.Frost @DNFrost13 Part of a series.
In the novel Broken, there are 24 portents fortelling the events of the unfolding saga.

Start with Portent I here.

These and other riddles in rhyme are gathered in the Portents Directory for you to explore.

Enjoy!


In grief's abandon wanton worn
The master faces wayward son
Through dire days of war begun
Of hopes destroyed and forces shorn

The advent dear to legend's heart
Arrives in spite of absence raw
Yet son endures the wicked thaw
As master seeks a place to start

The fractured foes conjoined in light
Hear mentor's maker on the breeze
And brave the jail above the trees
To slay the night and wrest the keys.


Can you decode the future Tales of the Known World?

Share your interpretation!
Comment below with your take on this portent.


This prophesy first appears in Part 3 of Broken, and it heralds events that take place in Book 3. I love how the rhyme scheme changes in the last stanza.

Who are the master and wayward son, and what do you think these fractured foes join forces to accomplish?



Download the Prophesy Appendix:

The merfolk culture is built on the prophetic Gift. Nearly all men produce a portent every twenty days, and they devote their lives to interpretation. For more about the role and inner workings of prophesy, check out the Prophesy Appendix above.



Alongside every prophesy is an attribution block. This block contains a byline giving the name of the person who said the prophesy, and a dateline giving the day the prophesy was first said. Here is the attribution for this portent:
Lende Dwihvo Lohki XI
3:1:1:3/5, III:IX
The portent attributed here has not yet been interpreted. It was said recently, and it will be repeated every twenty days until either it is correctly interpreted, or it comes to pass.


That's it for this post! Up Next: Yet few decline the call to thrive...

For the Prophesy Appendix, enter your email above.






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Wednesday, November 1, 2017

Portent XVII of Broken: a riddle in rhyme

Portent XVII of Broken: in timeless grip for all her years www.DNFrost.com/prophesy #TotKW A riddle in rhyme by D.N.Frost @DNFrost13 Part of a series.
In the novel Broken, there are 24 portents fortelling the events of the unfolding saga.

Start with Portent I here.

These and other riddles in rhyme are gathered in the Portents Directory for you to explore.

Enjoy!


The sea cannot suppress the fears
Of screaming gate and bloody tears
In timeless grip for all her years
While master's hope destroyed

Though banished voice to gate endears
And famished prince through veil appears
She braces heart as evil rears
To weary tread the void.


Can you decode the future Tales of the Known World?

Share your interpretation!
Comment below with your take on this portent.


This portent foretells the long-awaited cooperation of a mighty power that comes to pass in Book 3. Who do you think the screaming gate refers to, and what is the timeless grip she's endured for all her years?



Download the Prophesy Appendix:

The merfolk culture is built on the prophetic Gift. Nearly all men produce a portent every twenty days, and they devote their lives to interpretation. For more about the role and inner workings of prophesy, check out the Prophesy Appendix above.



Alongside every prophesy is an attribution block. This block contains a byline giving the name of the person who said the prophesy, and a dateline giving the day the prophesy was first said. Here is the attribution for this portent:
Venluh Ndwevok Kaedya IX
3:1:1:1/5, III:IX
The portent attributed here has not yet been interpreted. It was said recently, and it will be repeated every twenty days until either it is correctly interpreted, or it comes to pass.


That's it for this post! Up Next: The advent dear to legend's heart...

For the Prophesy Appendix, enter your email above.






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Sunday, October 1, 2017

Portent XVI of Broken: a riddle in rhyme

Portent XVI of Broken: while timeless rigors dissipate www.DNFrost.com/prophesy #TotKW A riddle in rhyme by D.N.Frost @DNFrost13 Part of a series.
In the novel Broken, there are 24 portents fortelling the events of the unfolding saga.

Start with Portent I here.

These and other riddles in rhyme are gathered in the Portents Directory for you to explore.

Enjoy!


The voice impugned for ilk and ire
His word egregious sin
Returns adjured to lowly gyre
And rallies furloughed kin

The shiftless rouse themselves in hate
To death or freedom win
While timeless rigors dissipate
And usher chaos in.


Can you decode the future Tales of the Known World?

Share your interpretation!
Comment below with your take on this portent.


Though this prophesy opens only one scene in Broken, it has a fun rhyme scheme and ominous clues about the unfolding of Book 4. Who do you think is the voice impugned, and for what purpose does he rally his furloughed kin?



Download the Prophesy Appendix:

The merfolk culture is built on the prophetic Gift. Nearly all men produce a portent every twenty days, and they devote their lives to interpretation. For more about the role and inner workings of prophesy, check out the Prophesy Appendix above.



Alongside every prophesy is an attribution block. This block contains a byline giving the name of the person who said the prophesy, and a dateline giving the day the prophesy was first said. Here is the attribution for this portent:
Wahni Vendohn Dohari VIII
2:3:4:7/5, III:IX
The portent attributed here has not yet been interpreted. It was said recently, and it will be repeated every twenty days until either it is correctly interpreted, or it comes to pass.


That's it for this post! Up Next: In timeless grip for all her years...

For the Prophesy Appendix, enter your email above.






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Wednesday, September 27, 2017

My Nymph Hieroglyph Project: inspiration & spark

This post is Part 8 of a series to augment the Author's Manifesto available for free download. Start with Part 1 here.

This and other inspirations of mine are gathered in the Spark Directory for you to explore.

Find more linguistic content in my Language Directory.



In Part 1 of this series, I got excited about language and started inventing a number of tongues for my fantasy world. My language development has stalled out a bit these days, since I already have so much established. However, my current language project circles back to the illiterate nymphs of the tropical glade.

Though illiterate in modern times, the nymphs were once a thriving civilization that traded with the forests of Ryerin to the north. Akin to the ancient Mayans, the nymph civilization fell during a major catastrophe, and they fled their stone cities into the jungle when the Colkh'rak invaded.


Check out this Author's Manifesto for more of my inspirations!


Inspired by the complex glyphs of the Mayans, I envisioned the ancient nymphs with an impressive and artistic writing system that allowed each scribe great creative expression of individuality. Though I have no writing samples yet, this project is ongoing, and I hope to include some ancient A'lari glyphs in the first edition of Broken.

As of now, I'm super delighted with my language trees, and I have an exceptional foundation to keep world-building for my Tales of the Known World saga. Aside from the occasional line of foreign dialogue in the novels, which I use (sparingly) to emphasize language barriers, I use my languages to invent consistent names for the places where certain cultures live.

I also use the language rules to change place names from one language to another, such as the Suteki town of Zejawehe, which becomes Zeja'e on elvish maps. Similarly, the elvish town of T'gran'rh is represented on faerie maps as Tigranirsh, pronounced basically the same but transliterated differently.


That's it for this series! Check out my latest inspirations for more.

Download the Author's Manifesto here, or start your adventure below.






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Wednesday, September 6, 2017

Publishing My Language Mess: inspiration & spark

This post is Part 7 of a series to augment the Author's Manifesto available for free download. Start with Part 1 here.

This and other inspirations of mine are gathered in the Spark Directory for you to explore.

Find more linguistic content in my Language Directory.



In Part 1 of this series, my first taste of linguistics set me on the path to inventing over seven languages for my fantasy world. As I got ready to publish Awakening, I needed to iron out some leftover inconsistencies between the languages I'd invented and the spellings and pronunciations of different names and places.

The dark tongue of Colkh'rak, spoken by the dark elf invaders of Allana, was actually a pidgin of the dark elf language Dyau and the daemon language with no vowels. Heleki, the ancestral language of the humans of Kholl, arose from Meri, and it mingled with the Colkh'rak language when the invaders landed there. This mingling gave rise to the Khollic language spoken during modern times.


Check out this Author's Manifesto for more of my inspirations!


I published Awakening without knowing the last of these details, confident in my ability to hand-wave any inconsistencies I discovered. When I went to make my language appendix for the second edition, I codified everything and came up with my last adjustments.

The language of Ryehren was spoken during the ancient Golden Age before the invasion, and it arose from Meri. Similarly, the language of the Sutek Desert arose from Meri, so ancient Suteki is akin to Meri whereas modern Suteki is more a dialect of Allanic. This left only the last vestiges of defiant pronunciations and the strange spelling of the Trophek Reaches.

By necessity, I created the language of Trophek for my Tales of the Known World saga. I ruthlessly cataloged every instance of a place or name whose pronunciation didn't fit its native language. Aside from the way /f/ was spelled using "ph" for some places, good old English let me evoke a number of strange vowel sounds for certain letters.

I decided that Trophek was a human language from the rugged northern isles, and their ancient culture had spread, much like the Vikings, to the coastal mountain regions along the northern edge of the Known World. I ascribed unusual readings for Trophek's vowels, solving my pronunciation issues and leading to unexpected readings like Trophek (TRAW-fih-k) and Porthal (PAW-rth-ey-l).


That's it for this post! Up Next: Taking a stab at hieroglyphs...

Download the Author's Manifesto here, or start your adventure below.






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Friday, September 1, 2017

Portent XV of Broken: a riddle in rhyme

Portent XV of Broken: with dawning day to empress go www.DNFrost.com/prophesy #TotKW A riddle in rhyme by D.N.Frost @DNFrost13 Part of a series.
In the novel Broken, there are 24 portents fortelling the events of the unfolding saga.

Start with Portent I here.

These and other riddles in rhyme are gathered in the Portents Directory for you to explore.

Enjoy!


With dawning day to empress go
And stoic say the gravest word
Of sands betraying royal plea
To coming Way await in turn

No aid reply to elven plight
Though doomed decry the sacred wake
Until the sigh of passing crown
Evokes the dynasty of peace

Untroubled squander days ahead
Let battle wander where it will
In guidance ponder Way's return
As darkness yonder breaks the line.


Can you decode the future Tales of the Known World?

Share your interpretation!
Comment below with your take on this portent.


This prophesy is weird from head to toe. Its rhymes are mid-line, the portent called forth by a council of men from the Sutek desert. The council seeks advice on their actions in the coming war, and their portent comes to pass at the end of Broken. What could the passing crown foretell?



Download the Prophesy Appendix:

The merfolk culture is built on the prophetic Gift. Nearly all men produce a portent every twenty days, and they devote their lives to interpretation. For more about the role and inner workings of prophesy, check out the Prophesy Appendix above.



Alongside every prophesy is an attribution block. This block contains a byline giving the name of the person who said the prophesy, and a dateline giving the day the prophesy was first said. Here is the attribution for this portent:
Council of Tsugen
2:3:3:2/5, III:IX
The portent attributed here has not yet been interpreted. It was said recently, and it will be repeated every twenty days until either it is correctly interpreted, or it comes to pass.


That's it for this post! Up Next: While timeless rigors dissipate...

For the Prophesy Appendix, enter your email above.






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Wednesday, August 30, 2017

Language Trees and Creoles: inspiration & spark

This post is Part 6 of a series to augment the Author's Manifesto available for free download. Start with Part 1 here.

This and other inspirations of mine are gathered in the Spark Directory for you to explore.

Find more linguistic content in my Language Directory.



In Part 1 of this series, I began my love affair with languages. At some point, I made a language map to show how all my fantasy dialects evolved from the original five tongues I constructed. I chose a heartland for each of the languages, and I showed how the neighboring regions were influenced by the nearby language.

As the merfolk spread from the sea, coastal areas began to feel the influence of Meri. As the nymphs traded with the forest outside their glade, A'lari traveled northward. As the humans sailed beyond their initial islands, Thone infiltrated the whole archipelago. As the faeries spread from their western forests, Kalrei traveled outward too. And as the elves descended their mountains to colonize the plains, Ka'e influenced the languages already spoken in the area.


Check out this Author's Manifesto for more of my inspirations!


The map was awesome but dizzying, so I also made a language tree to show how each dialect is related. I didn't intend to create every dialect, but it was important for me to see how the unifying language in the Known World, Allanic, evolved from different creoles of the original five languages. And rather than invent Allanic itself, I decided to create words as I needed them, picking and choosing cool features from the five ancestral languages to give it a truly hodgepodge feel.

Unable to go much further, I turned to lands outside the current scope of my Tales of the Known World saga to find new language opportunities. For the distant southern continent, I began work on Abidyajan, the fluid language of a great desert civilization. I doodled some potential alphabets into a notebook and worked out their creation myth, but I shelved the project until my first six books are complete. I'm not even sure where the notes are at this point. I earned my Bachelor of Arts in Linguistics and shuttled off to post-college life, eager to use my skills to become a published author.


That's it for this post! Up Next: Fixing up some defiant pronunciations...

Download the Author's Manifesto here, or start your adventure below.






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Wednesday, August 23, 2017

The Five Related Tongues: inspiration & spark

This post is Part 5 of a series to augment the Author's Manifesto available for free download. Start with Part 1 here.

This and other inspirations of mine are gathered in the Spark Directory for you to explore.

Find more linguistic content in my Language Directory.



In Part 1 of this series, I fell in love with linguistics. After constructing my Meri language, I had a template to invent the other four languages related to the ancestral tongue Ryunic. I tackled Thone, the language of the humans, next. To account for the different names of my human characters and their native regions, I compiled a list of sounds and started making language rules that would result in the correct pronunciation of those names.

Like with Meri, I embraced these inconsistencies and complexities as cool nuance that added realism to the language. With so much going on with the sounds of Thone, I had no room to impose a fatal flaw as I had with my previous languages. Instead, I embraced the link between humans and dark magic, evoking a writing system akin to the daemon language rather than the alphabet of Meri. In Thone, each syllable gets its own symbol, and the writing system doesn't differentiate between certain consonant pairs, such as /t/ and /d/, or /k/ and /g/.


Check out this Author's Manifesto for more of my inspirations!


After the Thone debacle, I chose to be more careful in how I invented the last three languages. For Ka'e, the tongue of the elves, I decided to use only lax vowels, despite the linguistic principle that any spoken language will try to help differentiate vowels by making some tense and some lax.

For the faerie language Kalrei, I decided to use only front vowels, though the same linguistic principle would drive a spoken language to mix some back vowels in with the front ones. To stave off the effects of this principle, I assigned tones to each of the faerie vowels to aid in differentiation. And though I had writing systems for Thone, Ka'e, and Kalrei, I opted to skip the creation myth translation entirely. Even now, I have no writing samples, just examples of single words written in each of the languages.

With four languages down, it was time to tackle A'lari, the tongue of the nymphs. At the time, the nymphs in my Tales of the Known World saga was completely illiterate, so I had no writing system to develop for A'lari. In many ways, this made the nymph tongue rather boring to me, and I spent very little time on it at first. For its fatal flaw, I opted to use only sonorants, a type of consonant including the liquids /r/ and /l/, the glides /w/ and /y/, and the nasal /n/.

Five consonants does not yield much variety for a language, so to boost the number of possible syllables in A'lari, I added three long consonants and provided for a multitude of vowels. There are nine short vowels and nine long vowels, and eighteen nasalized counterparts. There are two syllabic consonants, and a number of the vowels can take final consonants as well. In total, there are a staggering 967 possible syllables in A'lari, and they can be combined in a practically infinite number of ways.


That's it for this post! Up Next: Blending my languages into new dialects...

Download the Author's Manifesto here, or start your adventure below.






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Wednesday, August 9, 2017

Constructing the Merfolk Language: inspiration & spark

This post is Part 4 of a series to augment the Author's Manifesto available for free download. Start with Part 1 here.

This and other inspirations of mine are gathered in the Spark Directory for you to explore.

Find more linguistic content in my Language Directory.



In Part 1 of this series, my passion for linguistics ignited, and I drove myself to invent a language for each of the five races in my fantasy novels. The merfolk are the oldest race, so it made sense to start my five related languages with Meri.

For each of my languages, I envisioned a fatal flaw, something that defied linguistic principles in a subtle yet pervasive way. I wanted the languages to feel realistic while still harboring a clandestine weirdness that only my fellow linguists would discern. For Dyau, I omitted all nasal sounds, though there is an /m/ or /n/ sound in every single human language. For the daemon language, I omitted all vowels and voiced consonants.


Check out this Author's Manifesto for more of my inspirations!


For Meri, I did the exact opposite and omitted all voiceless consonants. It occurred to me that a language spoken underwater would need to be completely voiced. Try to hum underwater, and you'll find that others can hear the voiced sound. But if you whisper, there are only voiceless bubbles that no one can distinguish. Of course, the merfolk wouldn't be using air to transmit their speech, but I still decided that voiceless sounds like /t/ and /sh/ wouldn't be included in Meri.

That's when some trouble started. Going through my characters and place-names, I realized that the Meri language already included three voiceless letters. Names like Dynde worked fine, but names like Rovikya, Sonne, and Dohar defied my new rule against voiceless sounds. But instead of renaming everything, I recalled how Star Trek's linguist Marc Okrand developed Klingon and Vulcan out of nonsense gibberish.

Inspired to salvage my Tales of the Known World saga, I decided that Meri's /h/ wasn't a consonant at all. Much like the silent /e/ at the end of many English words, I used the /h/ in Meri to change the way a syllable's vowel was pronounced. That left /k/ and /s/ for me to iron out, and I decided to employ them as special sonar clicks rather than traditional consonants. Dolphins use sonar clicks to communicate underwater, so why wouldn't a sentient underwater race have a few sonar clicks as consonants?

With the rules of Meri outlined, I wrote a long creation myth for the merfolk and set about translating it into the language. Though I didn't finish my translation, I did develop the first page or two into a sample of the Meri script. I didn't have Photoshop then, so I spent arduous hours in MS Paint, carefully lining up letters to create my script samples. With so much work in front of me, I decided that what I had of the merfolk myth was sufficient as a sample, and I moved on to the other languages that needed fleshing out.


That's it for this post! Up Next: Inventing a family of fantasy languages...

Download the Author's Manifesto here, or start your adventure below.






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Wednesday, August 2, 2017

The Five Prophetic Ages: inspiration & spark

This post is Part 6 of a series to augment the Author's Manifesto available for free download. Start with Part 1 here.

This and other inspirations of mine are gathered in the Spark Directory for you to explore.

Find more prophetic poetry in my Portents Directory.



In Part 1 of this series, I started on a spiritual path that led me to some deep insights, which I seek to explore throughout my fantasy novels. Inspired by my understanding of self-fulfilling destiny, I created the five prophetic ages of the Known World.

I. The Dawn Age began the world, and every person could prophesy at will. Such ready access to the future eroded their need to predict everything in advance. They discovered that life was more enjoyable when it wasn't planned from start to finish. But some sought to gain control of the amassed knowledge of the future, and the Dawn Age ended in war. The prophetic merfolk concluded that knowledge should always be shared, even with the ungifted landfolk.

II. Next came the Open Age, when prophesy texts were shared before interpretation, and meanings were deduced collaboratively. In many ways, this mirrors how humans discuss facts and gather evidence before drawing meaningful conclusions. Whether we like it or not, these conclusions influence the unfolding of our lives, and they force us into conflicts with those of differing conclusions. When some unsettling tidings of war and suffering induced panic amongst the landfolk, their growing fears triggered another war, and the Open Age collapsed.


Check out this Author's Manifesto for more of my inspirations!


III. After the chaos, the world entered into the Golden Age. Prophesies were recorded and interpreted at length before being shared with the landfolk. Though this prevented panic about the unknown, it precluded anyone's ability to decide their fate for themselves. The merfolk became the undisputed knowers of truth, with the landfolk at the mercy of their interpretations. This mirrors the institutions of many human religions, which all claim to be the one true path. Their ideas are not entirely false, but the truths get rolled up in the trappings of other people's interpretations.

The Golden Age ended with a prophesy that could not be interpreted. It was long, convoluted, and heavily debated for decades. As this one crucial prophesy languished unsolved, it began to surface in subsequent, related prophesies. The number of interpreted prophesies dwindled, until eventually the merfolk had no interpretations left to share. This mirrors the scientific discoveries that cannot be integrated into mainstream theology, causing a schism between emergent scientific facts and the long-standing spiritual truths swaddled in centuries of dogma.

IV. Through the Dark Age of the next few centuries, the merfolk of my Tales of the Known World saga began interpreting prophesy once more. However, they'd fallen out of touch with the landfolk, and the mers opted not to share any more prophesy with them. The merfolk swore off all contact with the landfolk, violating their long-standing principles of sharing knowledge freely. Isolated and hypocritical, the merfolk society folded in on itself, placing more and more value on obtaining knowledge about the future, and less value on presence, self-awareness, and joy. This mirrors the world of humans today, obsessed with acquisition and growth, even at the expense of life.

V. The inevitable collapse of the merfolk society ushers in the Free Age, where the landfolk rebuild without the meddling hands of prophesy guiding their fate. Though prophesy is still sought and interpreted, the people of the Free Age place less importance on the prophetic word. Instead, they live empowered lives, creating the future through their decisions and actions - just as we strive to do on Earth.


That's it for this series! Check out my latest inspirations for more.

Download the Author's Manifesto here, or start your adventure below.






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Tuesday, August 1, 2017

Portent XIV of Broken: a riddle in rhyme

Portent XIV of Broken: through powers elf beseeched revile www.DNFrost.com/prophesy #TotKW A riddle in rhyme by D.N.Frost @DNFrost13 Part of a series.
In the novel Broken, there are 24 portents fortelling the events of the unfolding saga.

Start with Portent I here.

These and other riddles in rhyme are gathered in the Portents Directory for you to explore.

Enjoy!


The war of ancients now resumed
No blood for blood or blow for blow
The risen flee the battle low
In terror's grip their hearts forgo
All kin and country doomed

By nerves betrayed and sense attuned
The master culls the rank and file
Through powers elf beseeched revile
Lest all of earth and sky defile
With careless mortal wound.


Can you decode the future Tales of the Known World?

Share your interpretation!
Comment below with your take on this portent.


This foreboding portent comes to pass at the end of Broken, when two vast armies clash on Allana's shores. What is the war of ancients now resumed, and who is the master that culls the rank and file?



Download the Prophesy Appendix:

The merfolk culture is built on the prophetic Gift. Nearly all men produce a portent every twenty days, and they devote their lives to interpretation. For more about the role and inner workings of prophesy, check out the Prophesy Appendix above.



Alongside every prophesy is an attribution block. This block contains a byline giving the name of the person who said the prophesy, and a dateline giving the day the prophesy was first said. Here is the attribution for this portent:
Nrohgi Kwnyeh Gusya XVI
2:3:3:2/5, III:IX
The portent attributed here has not yet been interpreted. It was said recently, and it will be repeated every twenty days until either it is correctly interpreted, or it comes to pass.


That's it for this post! Up Next: With dawning day to empress go...

For the Prophesy Appendix, enter your email above.






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Wednesday, July 26, 2017

Hooked on Linguistics: inspiration & spark

This post is Part 3 of a series to augment the Author's Manifesto available for free download. Start with Part 1 here.

This and other inspirations of mine are gathered in the Spark Directory for you to explore.

Find more linguistic content in my Language Directory.



In Part 1 of this series, I began my love affair with language. Before I finished high school, I'd grown to interpret both math and computer code as two other languages in my repertoire. I entered college burning to delve into a totally alien language, to broaden my horizons.

My first semester, I enrolled in the intro class to Sanskrit, the ancient language of India, and I took a linguistics class titled Constructed Languages: Klingon and Beyond. Though I loved learning the Hindi script used to write Sanskrit, I was disappointed to learn that Sanskrit was actually an Indo-European language related to Latin, French, Spanish, and English. But my constructed languages course sparked new interest in me, and I soon changed my major to linguistics.


Check out this Author's Manifesto for more of my inspirations!


Linguistics is the scientific study of language, and it parses all the complexities and nuance of human language into navigable categories. In my constructed languages class, we examined a multitude of different fictional languages invented by humans, from the Klingon and Vulcan of Star Trek to Tolkien's elvish and entish, and the unifying language Esperanto, which boasted over a million human speakers.

While learning the linguistic precepts for how languages are put together, I began ironing out my old concept of a language with no vowels. I found a place for such a language in my fantasy world as the language of daemons, some of which have no vocal cords. For my final in the constructed languages class, I developed the daemon language and translated their religious creation myth into a few pages of spiky runes.

I was off! The next language for my Tales of the Known World saga was Dyau, the melodic tongue of the dark elves from the Land Across the Sea. Their society suppressed magic in most of the population, so the dark elves developed more advanced technologies to enhance their lives. Envisioning printing presses and even typewriters for their medieval society, I developed a font for the Dyau language and typed out their creation myth after I finished translating it.

Then came Meri, the language of the merfolk. I envisioned the five races of the Known World speaking related languages, much like the Indo-European language family on Earth. I delineated Ryunic as the language of the deity Mother, the tongue of deep magic, and the ancestral language from which the five tongues developed. Since I never intended to document Ryunic, I started work on the merfolk tongue.


That's it for this post! Up Next: Adding sonar clicks and a secret flaw...

Download the Author's Manifesto here, or start your adventure below.






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Wednesday, July 19, 2017

The Gears of Fate: inspiration & spark

This post is Part 5 of a series to augment the Author's Manifesto available for free download. Start with Part 1 here.

This and other inspirations of mine are gathered in the Spark Directory for you to explore.

Find more prophetic poetry in my Portents Directory.



In Part 1 of this series, I triggered a shift in my perspective. Now I began mapping my fictional characters and events from a cosmic viewpoint. Each character was on a journey to enlightenment, interacting and engaging in events from their unique perspectives in place and time.

Events unfolded on two levels: the manifestations of those in physical form, and unexpected events that seemed to be external. From a cosmic viewpoint, however, these external events were integral to the progression of characters toward their ultimate enlightenment, triggered in their best interests, though the characters themselves couldn't know it at the time.


Check out this Author's Manifesto for more of my inspirations!


Usually interpreted as luck or chance, I appropriated these deus ex machina events into my cosmic paradigm, and I examined them through the mechanism of prophesy. Within the story, an entire race of merfolk can divine the future. In early stages, this was simply an interesting concept - what would a society be like, if every single person could know the future? But with my new insight into the universal story formula, I explored prophesy in a new way.

Even without prescience, real people correctly predict things about their future all the time. Technically, "I'll be hungry later" is a correct prediction about the future. We create our futures every day, by the things we believe and the way those beliefs inform our interpretations and reactions to events. In essence, we predict what will happen, and our predictions manipulate us into making them come true. In my Tales of the Known World saga, the prophetic merfolk do the same thing by interpreting their ambiguous riddles about the future.

It is the merfolk's vested belief in their interpretation that fulfills a prophesy, not the prophesy itself. The merfolk exacerbate this self-fulfillment by sharing their interpretations with the non-prophetic landfolk, purporting these interpretations as ultimate truth. They even meddle in the affairs of men and kings to cause these events to happen. All of this, as with we humans, is justified under the banner of unerring truth, when really it's nothing more than the blindness of conviction.


That's it for this post! Up Next: The five prophetic ages of the merfolk...

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Wednesday, July 5, 2017

From Real Magic to Fantasy Magic: inspiration & spark

This post is Part 4 of a series to augment the Author's Manifesto available for free download. Start with Part 1 here.

This and other inspirations of mine are gathered in the Spark Directory for you to explore.

Find more mystic content in my Magic Directory.



In Part 1 of this series, I began questioning my life's purpose. As I mulled through my divergent callings, I struck upon a fascinating idea. Instead of writing a book of truth, I could deliver that truth within my fiction. My knowledge of the ego and the true self already informed how I developed my characters. And I'd noticed the Law of Attraction at work, not just in real life, but also in the most compelling stories of all ages. It seems the human heart is hard-wired to yearn for just desserts - nice people manifest rewards, and mean people manifest trouble.

These cosmic principles feel so inherently right to us that we even require our myths and stories to reflect them in some way. We want the good guy to triumph, and we want the bad guy to suffer. The best stories feel so powerful to us because they embody these cosmic principles throughout many facets of the storyline. I'd discovered the formula for a great story, and it was grounded in the ultimate truth of the universe. It is the formula for all stories, both real and fictional.


Check out this Author's Manifesto for more of my inspirations!


Integrating this notion into my storytelling, I reviewed my fantasy tales and began noticing cosmic principles everywhere. The most obvious representation was the magic of the Known World. What better parallel could there be than a person setting forth the intention to cast a spell, and the manifestation of that spell? That was the crux of the Law of Attraction: decide, align, receive. The only difference between fact and fiction was that in the real world, magic is dismissed as fantasy, so it can be harder for the mind to allow for the possibility. In the Known World, magic is accepted as possible, so it manifests much more easily.

Beyond the normal magic of the Known World, there was also the idea of deep magic. Originally based on an elite magical language known only to a blessed few, deep magic transformed into the deliberate use of creative energy to manifest change in the physical world. The elite language was no longer a requirement, but rather an advanced tool to direct the creative energy, similar to the use of sacred chants and sutras in the real world.

Just as every person can attain enlightenment, all people of the Known World can potentially wield deep magic. But not all on Earth are called to awaken, and few in the Known World are called to transcend their mortal limitations to channel deep magic into the physical realm.

Real people tend to be powerful in certain areas of life, but flawed in others. Few of us are desperately evil or unerringly sanctified. Rather, most of us tread some sort of middle ground, where we do well in certain areas and less well in others. To mirror this in my Tales of the Known World saga, I reimagined the elite rosen who use their special language to wield deep magic.

This language awakens their inner power, but it's also a shortcut to wielding deep magic without attaining enlightenment first. They can create anything they desire, but only if they can believe in the magic they're casting. Just like all of us on Earth, their unlimited creative power is hampered only by their beliefs of what's possible and their expectations of the future.


That's it for this post! Up Next: The workings of our self-created futures...

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Saturday, July 1, 2017

Portent XIII of Broken: a riddle in rhyme

Portent XIII of Broken: through timeless mire, innate desire www.DNFrost.com/prophesy #TotKW A riddle in rhyme by D.N.Frost @DNFrost13 Part of a series.
In the novel Broken, there are 24 portents fortelling the events of the unfolding saga.

Start with Portent I here.

These and other riddles in rhyme are gathered in the Portents Directory for you to explore.

Enjoy!


The precious gift laconic grows
Adrift in royal's tortured throes
Through timeless mire, innate desire
Would deep unearth the future rose

Awakened depths in timeless jail
Of wisdom scholars all curtail
For truth inquire, and youth inspire
To humble high and herald hale.


Can you decode the future Tales of the Known World?

Share your interpretation!
Comment below with your take on this portent.


I love the rhymes of this prophesy! Though it comes to pass in Book 3, the portent contains a number of salient clues for readers of Broken. What are the tortured throes of this royal, and what do you think his timeless jail refers to?



Download the Prophesy Appendix:

The merfolk culture is built on the prophetic Gift. Nearly all men produce a portent every twenty days, and they devote their lives to interpretation. For more about the role and inner workings of prophesy, check out the Prophesy Appendix above.



Alongside every prophesy is an attribution block. This block contains a byline giving the name of the person who said the prophesy, and a dateline giving the day the prophesy was first said. Here is the attribution for this portent:
Kyelin Wandah Lohki XII
2:3:2:5/5, III:IX
The portent attributed here has not yet been interpreted. It was said recently, and it will be repeated every twenty days until either it is correctly interpreted, or it comes to pass.


That's it for this post! Up Next: Through powers elf beseeched revile...

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Wednesday, June 28, 2017

The Dawn of Prophesy: inspiration & spark

This post is Part 4 of a series to augment the Author's Manifesto available for free download. Start with Part 1 here.

This and other inspirations of mine are gathered in the Spark Directory for you to explore.

Find more prophetic poetry in my Portents Directory.



In Part 1 of this series, I wrote my very first poem. After learning how to make riddles in rhyme, I started creating prophesies for my first novel. With five prophesies for the book and its four sections complete, I set out to refine the other prophesies referenced tangentially in the story.

These snippets quoted in the book's prose became full-fledged poems in their own right, and I began to crave a way to keep the prophesies organized. I pondered how the scholars within the tale would categorize prophesies, and realized they'd use specific dates. I invented a calendar for them to use, and used it myself to organize the prophetic riddles, both by the date it was first foretold, and the date that it came to fruition.


Check out this Author's Manifesto for more of my inspirations!


Armed with this in-world calendar system, I next set out to include dates before each of the story's scenes. These date-lines looked out of place on their own, so I decided to add an intriguing quote at the start of each scene to accompany the date. Using couplets of prophesy was an obvious choice, but it occurred to me that I couldn't pair dates with quotes of prophesies said years back. My solution was both work-intensive and immensely satisfying: write a fresh prophesy for the date of each scene.

Some strictures helped limit this insurmountable notion into a more manageable accomplishment. One scene depicted someone in the act of prophesying, so I could use that prophesy for all scenes on that date. The act of prophesy within the book was cyclical, and I defined the cycle at twenty days. Now I had a maximum of twenty new riddles to write, and could use the same one for all dates spaced twenty days apart. But this left me with one last glaring problem. The prophesies I'd be quoting at the start of each scene predicted future events, not related to the upcoming scene at all!

I resolved this problem from two directions. From existing prophesies that shared dates with scenes from my Tales of the Known World saga, I selected couplets that seemed to mirror or foreshadow each scene's content most closely. For unwritten prophesies, I examined the scenes awaiting couplets and scribbled out a few test rhymes that correlated with those scenes.

The best rhymes became anchors around which I based the actual events foretold in each prophesy, which would not come to pass until later in the series. In this way, I created fifteen new riddles to quote for scenes, in addition to the four section prophesies and four more mentioned in prose. In total, the Portents of Book 1 include 23 poems, and another 24 prophesies accompany Book 2.


That's it for this series! Check out my latest inspirations for more.

Download the Author's Manifesto here, or start your adventure below.






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Friday, June 23, 2017

Darklands by M.L. Spencer: a book review ★★★★★

This post is Part 7 of a series to augment the Book Reviews by D.N.Frost available for free download. Start with Part 1 here.

This and other reviewed content is gathered in my Book Reviews Directory for you to explore.

Find more guest-inspired content in my Guest Directory.

Disclaimer: I received a free copy of this book in exchange for an honest review.



★★★★★


Five stars! This great story delivered something I've never seen before.

★★★★★

A thrilling and momentous foray behind the veils of good and evil.

M.L. Spencer turns evil inside-out to explore the long-term consequences of demonizing another people. The setup is quick and definitive, delivering the stark conflict in visceral terms.

Spencer truly loves her characters, and it shows in how vivid their pain is. They suffer grandly in her loving charge. Darklands is a compelling read, an enthralling premise, and a heart-rending study of the complexity of the human soul.

Deeply fascinating!

- D.N.Frost, author of Tales of the Known World ★★★★★

Want to read this novel?
Buy your copy now.


★★★★★


Darklands by M.L. Spencer is Book Two of The Rhenwars Saga, an epic fantasy spanning a millennium, two realms, and all the ethics of the human condition.

This book is Spencer's third novel, published after the prequel that I reviewed in Part 1 of this guest series and Book One, which I reviewed here. When this novel was first published, it was billed as Book Three, but has since reverted to Book Two.



Check out these Book Reviews by D.N.Frost for more story ratings!



Darklands is a thrilling and momentous foray behind the veils of good and evil. M.L. Spencer turns evil inside-out to explore the long-term costs of the desperation and sacrifice in previous books, as well as the consequences of demonizing another people.

Deeply fascinating, Spencer's thoughtful and in-depth world-building animates an impossible realm. Clinging to life, a resilient population within a cursed land toils for each square inch of arable light in a black world. They live in darkness, and when their light goes out they will starve.

The setup is quick and definitive; it wastes no time delivering the stark conflict in visceral terms. Spencer truly loves her characters, and it shows in how vivid their pain is. They suffer grandly in her loving charge.

I enjoyed how some higher technologies like steam power offset the magical deficits of the cursed people, and Spencer's ironic wit shines in the God of Chaos, who struck a covenant to stabilize the world long ago.

Darklands is a compelling read, an enthralling premise, and a heart-rending study of the depth and complexity of the human soul.


Please buy your copy of
Darklands by M.L. Spencer here.

Have you read this novel? Help the author and write your own review.


That's it for this post! Up Next: My detailed report on Spencer's third novel...

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Thursday, June 22, 2017

Darklands by M.L. Spencer: a style analysis

This post is Part 3 of a series to augment the Tips for Writing Fiction available for free download. Start with Part 1 here.

This and other writing workshops are gathered in my Workshops Directory for you to explore.

This post is also Part 8 of a series about M.L. Spencer. Start with Part 1 here.

Disclaimer: I received a free copy of this book in exchange for an honest review.



I first connceted with M.L. Spencer in Part 1 of this guest series, and in Part 7 of this guest series, I provide the actual book review! The long-form style analysis below goes into much greater detail, diving into many aspects of storycraft, worldbuilding, and wordsmith techniques. I wrote my first style analysis for M.L. Spencer in Part 1 of this workshop series.

Darklands by M.L. Spencer is Book Two of The Rhenwars Saga, an epic fantasy spanning a millennium, two realms, and all the ethics of the human condition. This book is Spencer's third novel, published after the prequel that I reviewed here and Book One, which I reviewed here. When this novel was first published, it was billed as Book Three, but has since reverted to Book Two.

★★★★★


Five stars! This great story delivered something I've never seen before.

★★★★★

A mere two years after the grand conclusion of Spencer's previous book, the ghastly portal to the Netherworld is opened again.

But this time, the portal is opened not by a depraved lunatic Hell-bent on power and glory, but rather by a fierce and feral young woman from a cursed land.

Sharply called to atone for his wrongs in Book One, the complex hero Darien Lauchlin becomes a noble anti-hero in Darklands, sworn to help the young woman save her starving people from destruction.

In the previous book of the saga, Darien defends his homeland from the Enemy, invaders from the cursed Black Lands beyond the mountains. But in Darklands, Spencer turns evil inside-out and explores the consequences of demonizing another people.

Probing both sides of a previously black-and-white conflict between good and evil, she crafts her story deftly, humanizing the Enemy and compelling the reader to resent the "good guys" for their unbending self-righteousness.



Check these Tips for Writing Fiction to see more workshops!



Unlike the standalone prequel and debut novel of The Rhenwars Saga, Darklands reads like a true sequel. This book picks up the story roughly where the prior book left off, and I love how Spencer used this narrative to explore the long-term ramifications of the desperate sacrifices made by characters in the preceding two books.

While Spencer infused a standalone quality into Darklands, readers will best appreciate the artful nuances of her complex plot if they read the saga in order.

Spencer also keeps raising the stakes. In the prequel, a small class of people sought to save themselves. In Book One, a nation defended against an invasion from cursed lands. Now, Darklands reveals a resilient population within the cursed lands, toiling in utter darkness and sustaining themselves through magic alone.

By showcasing this foreign and tenacious people who will starve to death when their magic dies, Spencer adds a beautiful and heartwarming element to a race once known only as the Enemy.

The world of Darklands is deeply fascinating, a land vitrified by ancient fire and cloaked in churning darkness. Clinging to life, the people of the Black Lands tend precious crops nurtured by magic light.

A short blunt food chain supports short blunt lives, and I love how they developed some higher technologies like steam power to offset the magical deficits necessitated by their agriculture.



Check these Tips for Writing Fiction to see more workshops!



To my surprise, the people of Darklands enjoyed a few small luxuries like herbs, spices, dyes, and incense that seemed strange considering the value of each square inch of arable light in a black world.

I was also surprised at the dark skin tone of their people, considering they bred in darkness for a thousand years, as well as at the vivacious bulk of some of the land's warriors, perhaps glutted on protein compared to the starving population.

These details felt jarring to me, like an unfortunate oversight in expressing the myriad ways that a thousand years of darkness would impact culture, cuisine, and physique. Due to these idiosyncrasies in the world-building, I originally gave Darklands four stars instead of five, a decision that has haunted me since.

By my own criteria, the novel deserved five stars since it delivered a completely unique scenario - a people in darkness, whose crops depend on the sun-like light woven by precious magics. I have since adjusted my rating, since my personal quibbles over execution should not undermine what is a truly creative premise.

Spencer's thoughtful and in-depth world-building brought to life an impossible realm, as well as a second land vivid with intrigue and the interplay of various deities. I loved the dynamics of the temple council, and Spencer's ironic wit shines in the God of Chaos, who struck a covenant to stabilize the world long ago.

Reaching the end of Darklands, I felt a wash of disappointment when I realized the story needed at least one more book to resolve. Though I knew there was a fourth book, I'd hoped more of the story would fit into Darklands, simply for my own enjoyment.

Overall, Darklands by M.L. Spencer is a thrilling read and a momentous foray behind the veils of good and evil. I very much look forward to the next book in The Rhenwars Saga.


Please buy your copy of
Darklands by M.L. Spencer here.

Have you read this novel? Help the author and write your own review.


That's it for this series! Check out the latest writing workshops for more.

Want a review of your own book? Check out my Services for Authors.
You deserve a mindful reader and an honest book review.

Download Tips for Writing Fiction here, or start your adventure below.






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